The Kiwi Ears Orchestra Lite is 16Ω at 112.0 dB (no reference unit printed); the Kiwi Ears Stardust is 13Ω at 107.0 dB (no reference unit printed). This page covers what they ask of an amplifier, not how they sound.
The Stardust needs 5.0 dB more than the Orchestra Lite to reach the same loudness — 0.20 mW against 0.06 mW.
| Specification | Orchestra Lite | Stardust |
|---|---|---|
| Impedance | 16 Ω | 13 Ω |
| Sensitivity | 112.0 dB | 107.0 dB |
| Sensitivity (voltage) | 130.0 dB/V | 125.9 dB/V |
| Power for 100 dB | 0.06 mW | 0.20 mW |
| Voltage for 100 dB | 32 mV | 51 mV |
| Current for 100 dB | 2.0 mA | 3.9 mA |
| Highest source impedance that leaves them alone (one-eighth rule) | 2.00 Ω | 1.62 Ω |
| Sources that reach 100 dB out of 280 | 280 | 280 |
One caution before reading the rows. Kiwi Ears Orchestra Lite and Kiwi Ears Stardust printed a decibel figure with no reference unit, so this page reads it as per milliwatt. If it is really per volt, each of them needs far more than the table says. Why the two readings differ by so much.
Every source in the database that drives one of them drives the other. On power, the choice between these two changes nothing about what amplifier you need.
5 sources are low enough in output impedance for the Orchestra Lite under the one-eighth rule but not for the Stardust (FiiO KA13, Schiit Vali 2+, Astell&Kern HC3, 2 more).
9 sources stay below the audible-hiss threshold with the Stardust but cross it with the Orchestra Lite (Fosi Audio SK02, Grace Design m900, FiiO M15S, 6 more).
280 of the 280 sources here reach 100 dB on both.
The Stardust is more demanding than 12% of the 567 non-electrostatic models in this database; the Orchestra Lite than 4%.
| dB SPL | Orchestra Lite power | Orchestra Lite voltage | Stardust power | Stardust voltage |
|---|---|---|---|---|
| 80 | 0.6 µW | 3 mV | 2.0 µW | 5 mV |
| 85 | 2.0 µW | 6 mV | 6.3 µW | 9 mV |
| 90 | 6.3 µW | 10 mV | 0.02 mW | 16 mV |
| 95 | 0.02 mW | 18 mV | 0.06 mW | 29 mV |
| 100 | 0.06 mW | 32 mV | 0.20 mW | 51 mV |
| 105 | 0.20 mW | 57 mV | 0.63 mW | 91 mV |
| Source | Price | Headroom, Orchestra Lite | Headroom, Stardust | Output impedance | Noise |
|---|---|---|---|---|---|
| JadeAudio JA11 | $20 | 23.8 dB | 17.9 dB | 0.5 Ω | 1.7 µV |
| FiiO KA11 | $29 | 35.9 dB | 30.0 dB | 0.7 Ω | 1.7 µV |
| FiiO BTR13 | $59 | 32.8 dB | 26.9 dB | 0.6 Ω | 1.0 µV |
Of the 280 sources here, 280 reach 100 dB on both. 48 of them also publish an output impedance low enough for both under the one-eighth rule and a noise figure that stays below the audible-hiss threshold with both.
The cheapest of the 48 is the JadeAudio JA11, at $20. It leaves 23.8 dB of headroom on the Orchestra Lite and 17.9 dB on the Stardust, its output impedance is 0.5 Ω against a one-eighth limit of 2.00 Ω and 1.62 Ω, and its noise figure puts the hiss floor 5 dB and 10 dB below the 20 dB SPL this site treats as the point where a quiet room stops hiding it.
| Model | As printed | Tolerance | Standard |
|---|---|---|---|
| Orchestra Lite | nothing printed | — | — |
| Stardust | 20Hz–40kHz | not printed | not printed |
Kiwi Ears prints nothing at all for the Orchestra Lite and 20Hz–40kHz for the Stardust.
Orchestra Lite: The spec table prints impedance, sensitivity, drivers and cable only. The page describes the curve in prose ("sub-bass peaking at 8 dB from 20 Hz to 200 Hz") and shows a graph, but prints no frequency range.
So one side of this comparison has a frequency-response number and the other does not — which changes less than it looks. The range printed for the Stardust comes with no tolerance beside it, and a range without a ±dB figure says nothing about how loud the headphone is at either end of it: thirty decibels down at the bottom and the sentence would still be true. On the only reading that would have made it a specification, the two sheets say the same amount: nothing.
Not a measurement; maker by maker.
Both have a page of their own. In full: Kiwi Ears Orchestra Lite and Kiwi Ears Stardust. Each figure on this page is labelled on those pages with where it came from, including the ones Kiwi Ears never published — what that maker publishes, counted.