The Beyerdynamic DT 1990 PRO MK II is 30Ω at 94.0 dB/mW; the Beyerdynamic DT 880 Edition (600Ω) is 600Ω at 96.0 dB (no reference unit printed). This page covers what they ask of an amplifier, not how they sound.
The DT 1990 PRO MK II needs 2.0 dB more than the DT 880 Edition (600Ω) to reach the same loudness — 4.0 mW against 2.5 mW.
| Specification | DT 1990 PRO MK II | DT 880 Edition (600Ω) |
|---|---|---|
| Impedance | 30 Ω | 600 Ω |
| Sensitivity | 94.0 dB/mW | 96.0 dB |
| Sensitivity (voltage) | 109.2 dB/V | 98.2 dB/V |
| Power for 100 dB | 4.0 mW | 2.5 mW |
| Voltage for 100 dB | 0.35 V | 1.23 V |
| Current for 100 dB | 11.5 mA | 2.0 mA |
| Highest source impedance that leaves them alone (one-eighth rule) | 3.75 Ω | 75.00 Ω |
| Sources that reach 100 dB out of 280 | 280 | 266 |
One caution before reading the rows. Beyerdynamic DT 880 Edition (600Ω) printed a decibel figure with no reference unit, so this page reads it as per milliwatt. If it is really per volt, that model needs far more than the table says. Why the two readings differ by so much.
14 of the 280 sources have the power for the DT 1990 PRO MK II but not for the DT 880 Edition (600Ω) — Apple USB-C dongle (US), Apple USB-C dongle (EU), JadeAudio JA11, 11 more.
34 sources are low enough in output impedance for the DT 880 Edition (600Ω) under the one-eighth rule but not for the DT 1990 PRO MK II (Zoom AMS-22, Audient EVO 4, ART HeadAmp 4 Pro, 31 more).
266 of the 280 sources here reach 100 dB on both.
The DT 880 Edition (600Ω) is more demanding than 98% of the 567 non-electrostatic models in this database; the DT 1990 PRO MK II than 79%.
| dB SPL | DT 1990 PRO MK II power | DT 1990 PRO MK II voltage | DT 880 Edition (600Ω) power | DT 880 Edition (600Ω) voltage |
|---|---|---|---|---|
| 80 | 0.04 mW | 35 mV | 0.03 mW | 0.12 V |
| 85 | 0.13 mW | 61 mV | 0.08 mW | 0.22 V |
| 90 | 0.40 mW | 0.11 V | 0.25 mW | 0.39 V |
| 95 | 1.3 mW | 0.19 V | 0.79 mW | 0.69 V |
| 100 | 4.0 mW | 0.35 V | 2.5 mW | 1.23 V |
| 105 | 13 mW | 0.61 V | 7.9 mW | 2.18 V |
| Source | Price | Headroom, DT 1990 PRO MK II | Headroom, DT 880 Edition (600Ω) | Output impedance | Noise |
|---|---|---|---|---|---|
| FiiO KA11 | $29 | 17.1 dB | 6.4 dB | 0.7 Ω | 1.7 µV |
| FiiO BTR13 | $59 | 14.0 dB | 3.0 dB | 0.6 Ω | 1.0 µV |
| iBasso DC03 Pro | $69 | 13.6 dB | 3.2 dB | 0.12 Ω | 0.9 µV |
Of the 280 sources here, 266 reach 100 dB on both. 67 of them also publish an output impedance low enough for both under the one-eighth rule and a noise figure that stays below the audible-hiss threshold with both.
The cheapest of the 67 is the FiiO KA11, at $29. It leaves 17.1 dB of headroom on the DT 1990 PRO MK II and 6.4 dB on the DT 880 Edition (600Ω), its output impedance is 0.7 Ω against a one-eighth limit of 3.75 Ω and 75.00 Ω, and its noise figure puts the hiss floor 26 dB and 37 dB below the 20 dB SPL this site treats as the point where a quiet room stops hiding it.
| Model | As printed | Tolerance | Standard |
|---|---|---|---|
| DT 1990 PRO MK II | 5-40,000 Hz | not printed | not printed |
| DT 880 Edition (600Ω) | 5 - 35.000 Hz | not printed | not printed |
Beyerdynamic prints 5-40,000 Hz for the DT 1990 PRO MK II and 5 - 35.000 Hz for the DT 880 Edition (600Ω).
DT 880 Edition (600Ω): Beyerdynamic prints one range for the whole DT 880 Edition page, the same figure for every impedance version.
Neither range has a tolerance printed beside it, so a wider range on one sheet is not deeper bass or more treble.
Not a measurement; maker by maker.
Both have a page of their own. In full: Beyerdynamic DT 1990 PRO MK II and Beyerdynamic DT 880 Edition (600Ω). Each figure on this page is labelled on those pages with where it came from, including the ones Beyerdynamic never published — what that maker publishes, counted.