The Moondrop Variations is 15.2Ω at 99.8 dB/mW; the Sennheiser IE 200 is 18Ω at 101.6 dB/mW. This page is only about what they ask of an amplifier — not how they sound, which no specification on either sheet can tell you.
The Moondrop Variations needs 1.8 dB more than the Sennheiser IE 200 to reach the same loudness — 1.0 mW against 0.69 mW.
| Specification | Moondrop Variations | Sennheiser IE 200 |
|---|---|---|
| Impedance | 15.2 Ω | 18 Ω |
| Sensitivity | 99.8 dB/mW | 101.6 dB/mW |
| Sensitivity (voltage) | 118.0 dB/V | 119.0 dB/V |
| Power for 100 dB | 1.0 mW | 0.69 mW |
| Voltage for 100 dB | 0.13 V | 0.11 V |
| Current for 100 dB | 8.3 mA | 6.2 mA |
| Highest source impedance that leaves them alone (one-eighth rule) | 1.90 Ω | 2.25 Ω |
| Sources that reach 100 dB out of 280 | 280 | 280 |
Every source in the database that drives one of them drives the other. On power, the choice between these two changes nothing about what amplifier you need.
3 sources are low enough in output impedance for the Sennheiser IE 200 under the one-eighth rule but not for the Moondrop Variations (Astell&Kern HC3, RME Fireface UFX II, RME Fireface UFX III).
280 of the 280 sources here reach 100 dB on both. That count is about power only — the output-impedance and hiss lines above are separate questions, and a source can pass this one and fail those.
Each model has a page of its own with the full source list, the hiss estimate and the provenance of every figure above: Moondrop Variations and Sennheiser IE 200. Every figure on this page comes from what Moondrop and Sennheiser published, or is derived from it — what Moondrop publishes and what Sennheiser publishes, both counted.