The Symphonium Meteor is 9.7Ω at 90.9 dB/mW; the Symphonium Zenith is 6.1Ω at 85.9 dB/mW. This page covers what they ask of an amplifier, not how they sound.
The Zenith needs 5.0 dB more than the Meteor to reach the same loudness — 26 mW against 8.1 mW.
| Specification | Meteor | Zenith |
|---|---|---|
| Impedance | 9.7 Ω | 6.1 Ω |
| Sensitivity | 90.9 dB/mW | 85.9 dB/mW |
| Sensitivity (voltage) | 111.0 dB/V | 108.0 dB/V |
| Power for 100 dB | 8.1 mW | 26 mW |
| Voltage for 100 dB | 0.28 V | 0.40 V |
| Current for 100 dB | 28.9 mA | 64.9 mA |
| Highest source impedance that leaves them alone (one-eighth rule) | 1.21 Ω | 0.76 Ω |
| Sources that reach 100 dB out of 280 | 271 | 197 |
74 of the 280 sources have the power for the Meteor but not for the Zenith — Apple USB-C dongle (US), Generic CX31993 dongles, JadeAudio JA11, 71 more.
41 sources are low enough in output impedance for the Meteor under the one-eighth rule but not for the Zenith (FiiO SnowSky Tiny B, FiiO KA15, FiiO BTR15, 38 more).
197 of the 280 sources here reach 100 dB on both.
The Zenith is more demanding than 87% of the 567 non-electrostatic models in this database; the Meteor than 71%.
| dB SPL | Meteor power | Meteor voltage | Zenith power | Zenith voltage |
|---|---|---|---|---|
| 80 | 0.08 mW | 28 mV | 0.26 mW | 40 mV |
| 85 | 0.26 mW | 50 mV | 0.81 mW | 70 mV |
| 90 | 0.81 mW | 89 mV | 2.6 mW | 0.13 V |
| 95 | 2.6 mW | 0.16 V | 8.1 mW | 0.22 V |
| 100 | 8.1 mW | 0.28 V | 26 mW | 0.40 V |
| 105 | 26 mW | 0.50 V | 81 mW | 0.70 V |
| Source | Price | Headroom, Meteor | Headroom, Zenith | Output impedance | Noise |
|---|---|---|---|---|---|
| FiiO KA11 | $29 | 12.6 dB | 5.6 dB | 0.7 Ω | 1.7 µV |
| FiiO BTR13 | $59 | 9.5 dB | 2.5 dB | 0.6 Ω | 1.0 µV |
| FiiO KA3 | $79 | 9.5 dB | 2.5 dB | 0.5 Ω | 1.7 µV |
Of the 280 sources here, 197 reach 100 dB on both. 41 of them also publish an output impedance low enough for both under the one-eighth rule and a noise figure that stays below the audible-hiss threshold with both.
The cheapest of the 41 is the FiiO KA11, at $29. It leaves 12.6 dB of headroom on the Meteor and 5.6 dB on the Zenith, its output impedance is 0.7 Ω against a one-eighth limit of 1.21 Ω and 0.76 Ω, and its noise figure puts the hiss floor 24 dB and 27 dB below the 20 dB SPL this site treats as the point where a quiet room stops hiding it.
| Model | As printed | Tolerance | Standard |
|---|---|---|---|
| Meteor | 12Hz - 21kHz, ± 3 dB | ±3 dB | not printed |
| Zenith | 10Hz - 20kHz, ± 2 dB | ±2 dB | not printed |
Symphonium prints 12Hz - 21kHz, ± 3 dB for the Meteor and 10Hz - 20kHz, ± 2 dB for the Zenith.
Both sheets print a tolerance, which is rare enough to be worth pointing at: only 58 of the 490 models with a printed range do. These two ranges can be set against each other, because each of them says how far down the response is allowed to be at the ends.
Not a measurement; maker by maker.
Both have a page of their own. In full: Symphonium Meteor and Symphonium Zenith. Every figure on this page comes from what Symphonium published, or is derived from it — what that maker publishes, counted.