Short answer
Both are audio interfaces, $299 against $200.
The Apogee BOOM reaches 100 dB on 565 of the 567 models here, the Zoom AMS-44 on 549.
| Specification | Apogee BOOM | Zoom AMS-44 |
|---|---|---|
| Power into 32Ω | 240 mW | 30 mW |
| Power into 150Ω | 51 mW | 9.7 mW |
| Power into 300Ω | 26 mW | 5.2 mW |
| Power into 600Ω | 13 mW | 2.7 mW |
| Output impedance | 0.5 Ω | 10 Ω |
| Output noise | not published | not published |
| Price | $299 | $200 |
| Headphones it reaches 100 dB on out of 567 | 565 | 549 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | Apogee BOOM | Zoom AMS-44 |
|---|---|---|
| 32 Ω | Published | Published |
| 150 Ω | Derived | Derived |
| 300 Ω | Derived | Derived |
| 600 Ω | Derived | Derived |
Both makers publish a power rating. Apogee BOOM publishes at 32 Ω; Zoom AMS-44 at 32 Ω. The other rows are worked out from those.
The two publish at the same loads, which is the one case where the rows of this table can be read straight across.
16 headphones reach 100 dB on the Apogee BOOM but not on the Zoom AMS-44 — HiFiMAN HE-6se V2, HiFiMAN HE6 Remastered, HiFiMAN Susvara, 13 more.
509 headphones are left alone by the Apogee BOOM under the one-eighth rule but coloured by the Zoom AMS-44 (64 Audio Aspire 1, 64 Audio Fourte, 64 Audio Nio, 506 more).
549 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Shure SE846: Apogee BOOM has +32 dB of headroom there against +23 dB. 9 dB is about 8 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for Apogee BOOM and Zoom AMS-44 because neither maker publishes no output noise figure.
| Headphone | Impedance | Needs | Apogee BOOM headroom | Zoom AMS-44 headroom | Apogee BOOM hiss | Zoom AMS-44 hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +32 dB | +23 dB damping | not published | not published |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +12 dB | +3 dB damping | not published | not published |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +21 dB | +13 dB damping | not published | not published |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +17 dB | +10 dB | not published | not published |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +14 dB | +5 dB damping | not published | not published |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +10 dB | +3 dB | not published | not published |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +6 dB | -1 dB | not published | not published |
| HiFiMAN Susvara | 60 Ω | 50 mW | +4 dB | -4 dB damping | not published | not published |
The Apogee BOOM costs $99 more than the Zoom AMS-44. Out of the 567 models here, that difference buys 16 more models driven to 100 dB and 509 more models left alone under the one-eighth rule.
Nothing runs the other way: there is no axis here on which the cheaper of the two does better.
Only published figures count here; blank axes are counted separately.
Each in full: Apogee BOOM and Zoom AMS-44.