Both are audio interfaces, $750 against $720. This page puts them side by side on the only three things a maker can be held to — power, output impedance and noise — and then asks the question that actually matters: which headphones do they treat differently?
The Audient NERO reaches 100 dB on 559 of the 567 models here, the Audient EVO 16 on 558.
| Specification | Audient EVO 16 | Audient NERO |
|---|---|---|
| Power into 32Ω | 87 mW | 86 mW |
| Power into 150Ω | 49 mW | 23 mW |
| Power into 300Ω | 32 mW | 13 mW |
| Power into 600Ω | 24 mW | 7.4 mW |
| Output impedance | 50 Ω | not published |
| Output noise | not published | not published |
| Price | $750 | $720 |
| Headphones it reaches 100 dB on out of 567 | 558 | 559 |
A figure marked not published is missing from the maker’s own material, which is not the same as being good or bad. Where one of these two publishes a number and the other does not, the comparison on that axis cannot be made at all — and saying so is more useful than guessing.
1 headphone reaches 100 dB on the Audient NERO but not on the Audient EVO 16 — Symphonium Triton.
558 of the 567 models here reach 100 dB on both. That is a power count and nothing more; whether either source suits a given headphone also depends on the two lines above.
Each has a page of its own with every power figure traced to what the maker published and a full headphone list: Audient EVO 16 and Audient NERO. Or put either against your own headphones in the source comparison tool.