Cambridge Audio DacMagic 200M vs Creative Sound Blaster X5

Short answer

  • More power: the Cambridge Audio DacMagic 200M, with 300 mW into 32 Ω; the Creative Sound Blaster X5 has 64 mW. The Cambridge Audio DacMagic 200M drives 4 headphones to 100 dB that the Creative Sound Blaster X5 cannot (Moondrop COSMO, Symphonium Crimson, Symphonium Helios, 1 more).
  • Hiss with sensitive IEMs: cannot be compared — neither maker publishes a noise figure.
  • Price: the Cambridge Audio DacMagic 200M costs $114 more; what that buys on these numbers is set out further down, under What the price difference buys.

Both are desktop DAC/amps, $399 against $285.

The Cambridge Audio DacMagic 200M reaches 100 dB on 565 of the 567 models here, the Creative Sound Blaster X5 on 561.

Every published figure, next to each other

SpecificationCambridge Audio DacMagic 200MCreative Sound Blaster X5
Power into 32Ω300 mW64 mW
Power into 150Ω65 mW112 mW
Power into 300Ω32 mW57 mW
Power into 600Ω16 mW29 mW
Output impedancenot published1 Ω
Output noisenot publishednot published
Price$399$285
Headphones it reaches 100 dB on
out of 567
565561

Not published means the maker leaves it out, so that axis cannot be compared.

The 4.4 mm or XLR socket, rated on its own

BalancedCambridge Audio DacMagic 200MCreative Sound Blaster X5
Socketno separate rating4.4mm
Power into 32Ω—107 mW derived
Power into 300Ω—214 mW derived
Output impedance—not published
Output noise—not published
Headphones it reaches 100 dB on
out of 567
—561

Only the Creative Sound Blaster X5 has a separate balanced rating from its maker; through it, it reaches 100 dB on 561 of the 567 models here. The Cambridge Audio DacMagic 200M may still have a balanced socket — its spec sheet simply gives no figure for one, so there is nothing to put beside it. Derived figures are worked out from the loads the maker did publish.

Where each power figure comes from

LoadCambridge Audio DacMagic 200MCreative Sound Blaster X5
32 ΩPublishedDerived
150 ΩPublishedPublished
300 ΩDerivedDerived
600 ΩDerivedPublished

Both makers publish a power rating. Cambridge Audio DacMagic 200M publishes at 32 Ω and at 150 Ω; Creative Sound Blaster X5 at 150 Ω and at 600 Ω. The other rows are worked out from those.

So the two columns are not equally firm row by row: at 32 Ω only the Cambridge Audio DacMagic 200M figure is the maker’s own and at 600 Ω only the Creative Sound Blaster X5 figure is the maker’s own. On those rows the derived number is the one to doubt first.

What the labels mean.

The headphones that tell them apart

4 headphones reach 100 dB on the Cambridge Audio DacMagic 200M but not on the Creative Sound Blaster X5 — Moondrop COSMO, Symphonium Crimson, Symphonium Helios, 1 more.

561 of the 567 models here reach 100 dB on both.

Headroom and hiss on 8 models, both sources

Headroom is at a 100 dB SPL peak.

The widest gap on the list is the HiFiMAN HE400se: Cambridge Audio DacMagic 200M has +15 dB of headroom there against +9 dB. 6 dB is about 3.8 times the power, which matters for peaks rather than for how loud the music sits.

The hiss columns are empty for Cambridge Audio DacMagic 200M and Creative Sound Blaster X5 because neither maker publishes no output noise figure.

HeadphoneImpedanceNeedsCambridge Audio DacMagic 200M headroomCreative Sound Blaster X5 headroomCambridge Audio DacMagic 200M hissCreative Sound Blaster X5 hiss
Shure SE8469 Ω0.04 mW+33 dB+29 dBnot publishednot published
Campfire Audio Andromeda 20209 Ω4.0 mW+13 dB+9 dBnot publishednot published
Audeze LCD-2 Classic70 Ω0.79 mW+22 dB+20 dBnot publishednot published
Beyerdynamic DT 1990 Pro (250Ω)250 Ω0.63 mW+18 dB+20 dBnot publishednot published
HiFiMAN HE400se25 Ω7.9 mW+15 dB+9 dBnot publishednot published
Audio-Technica ATH-R70X470 Ω1.6 mW+11 dB+14 dBnot publishednot published
Sennheiser HD 600300 Ω6.6 mW+7 dB+9 dBnot publishednot published
HiFiMAN Susvara60 Ω50 mW+5 dB+2 dBnot publishednot published

The gap in dollars, against the gap in numbers

The Cambridge Audio DacMagic 200M costs $114 more than the Creative Sound Blaster X5. Out of the 567 models here, that difference buys 4 more models driven to 100 dB.

Nothing runs the other way: there is no axis here on which the cheaper of the two does better.

Only published figures count here; blank axes are counted separately.

Both pages in full

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