Short answer
Both are portable players, $1799 against $1999.
The FiiO M27 reaches 100 dB on 567 of the 567 models here, the HiBy R8 II on 565.
| Specification | FiiO M27 | HiBy R8 II |
|---|---|---|
| Power into 32Ω | 1.8 W | 225 mW |
| Power into 150Ω | 391 mW | 48 mW |
| Power into 300Ω | 200 mW | 24 mW |
| Power into 600Ω | 100 mW | 12 mW |
| Output impedance | 0.5 Ω | 1 Ω |
| Output noise | 3.9 µV | 3.2 µV |
| Price | $1799 | $1999 |
| Headphones it reaches 100 dB on out of 567 | 567 | 565 |
| Balanced | FiiO M27 | HiBy R8 II |
|---|---|---|
| Socket | 4.4mm | 4.4mm |
| Power into 32Ω | 5.0 W | 710 mW |
| Power into 300Ω | 805 mW | 76 mW derived |
| Output impedance | 0.6 Ω | 1 Ω |
| Output noise | 7.6 µV | 5.4 µV |
| Headphones it reaches 100 dB on out of 567 | 567 | 566 |
Through the balanced sockets the FiiO M27 reaches 100 dB on 567 of the 567 models here and the HiBy R8 II on 566. Derived figures are worked out from the loads the maker did publish.
| Load | FiiO M27 | HiBy R8 II |
|---|---|---|
| 32 Ω | Published | Published |
| 150 Ω | Derived | Derived |
| 300 Ω | Published | Derived |
| 600 Ω | Derived | Derived |
Both makers publish a power rating. FiiO M27 publishes at 32 Ω and at 300 Ω; HiBy R8 II at 32 Ω. The other rows are worked out from those.
So the two columns are not equally firm row by row: at 300 Ω only the FiiO M27 figure is the maker’s own. On those rows the derived number is the one to doubt first.
2 headphones reach 100 dB on the FiiO M27 but not on the HiBy R8 II — Moondrop PARA, Symphonium Titan.
14 headphones are left alone by the FiiO M27 under the one-eighth rule but coloured by the HiBy R8 II (64 Audio Nio, 64 Audio Volur, Campfire Audio Andromeda 2023, 11 more).
14 headphones stay below the audible-hiss threshold on the HiBy R8 II but cross it on the FiiO M27 (Audio-Technica ATH-CKS1100, Austrian Audio Hi-X25BT, Beyerdynamic DJ 300 PRO X, 11 more).
565 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Shure SE846: FiiO M27 has +46 dB of headroom there against +32 dB. 14 dB is about 24 times the power, which matters for peaks rather than for how loud the music sits.
Hiss below about 20 dB SPL is inaudible in a quiet room.
| Headphone | Impedance | Needs | FiiO M27 headroom | HiBy R8 II headroom | FiiO M27 hiss | HiBy R8 II hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +46 dB | +32 dB | 26 dB | 25 dB |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +26 dB | +12 dB | 6 dB | 5 dB |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +30 dB | +21 dB | 4 dB | 3 dB |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +26 dB | +17 dB | -0 dB | -2 dB |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +24 dB | +13 dB | -1 dB | -3 dB |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +19 dB | +10 dB | -7 dB | -9 dB |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +15 dB | +6 dB | -11 dB | -13 dB |
| HiFiMAN Susvara | 60 Ω | 50 mW | +13 dB | +4 dB | -13 dB | -15 dB |
The HiBy R8 II costs $200 more than the FiiO M27. Out of the 567 models here, that difference buys 14 more models kept below the audible-hiss threshold.
It does not run one way only: the cheaper FiiO M27 drives 2 models to 100 dB and leaves 14 alone under the one-eighth rule that the HiBy R8 II does not, which is the part worth checking against your own headphones before paying the difference.
Only published figures count here; blank axes are counted separately.
Each in full: FiiO M27 and HiBy R8 II.