Short answer
Both are desktop amplifiers, $600 against $699.
The iFi iCAN Pro reaches 100 dB on 567 of the 567 models here, the Rupert Neve RNHP on 566.
| Specification | iFi iCAN Pro | Rupert Neve RNHP |
|---|---|---|
| Power into 32Ω | 4.0 W | 262 mW |
| Power into 150Ω | 1.2 W | 175 mW |
| Power into 300Ω | 600 mW | 88 mW |
| Power into 600Ω | 300 mW | 44 mW |
| Output impedance | 0.5 Ω unverified | 0.08 Ω |
| Output noise | 25 µV unverified | 8.03 µV |
| Price | $600 | $699 |
| Headphones it reaches 100 dB on out of 567 | 567 | 566 |
| Load | iFi iCAN Pro | Rupert Neve RNHP |
|---|---|---|
| 32 Ω | Unverified | Derived |
| 150 Ω | Unverified | Published |
| 300 Ω | Unverified | Derived |
| 600 Ω | Unverified | Derived |
iFi iCAN Pro publishes no electrical specification at all. That is true of 10 of the 280 sources here, and the figures in that column come from independent measurement rather than from a maker document — which is not worse, but it is not the same thing, and it cannot be checked against anything the maker will stand behind.
The Rupert Neve RNHP column does stand on a power rating its maker printed, at one of these four loads at least. Reading the two straight across sets one kind of claim against another, and nobody has written down the conditions of both side by side.
1 headphone reaches 100 dB on the iFi iCAN Pro but not on the Rupert Neve RNHP — Symphonium Titan.
566 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the HiFiMAN HE400se: iFi iCAN Pro has +26 dB of headroom there against +15 dB. 11 dB is about 13 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for iFi iCAN Pro because that maker publishes no output noise figure.
| Headphone | Impedance | Needs | iFi iCAN Pro headroom | Rupert Neve RNHP headroom | iFi iCAN Pro hiss | Rupert Neve RNHP hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +45 dB | +35 dB | not published | 33 dB |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +25 dB | +15 dB | not published | 13 dB |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +34 dB | +25 dB | not published | 11 dB |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +31 dB | +22 dB | not published | 6 dB |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +26 dB | +15 dB | not published | 5 dB |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +24 dB | +15 dB | not published | -1 dB |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +20 dB | +11 dB | not published | -5 dB |
| HiFiMAN Susvara | 60 Ω | 50 mW | +17 dB | +7 dB | not published | -7 dB |
The Rupert Neve RNHP costs $99 more than the iFi iCAN Pro, and on these three axes the money buys nothing: among the 567 models here there is not one that the Rupert Neve RNHP handles and the iFi iCAN Pro does not — not on power, not on the one-eighth rule, not on hiss. The traffic runs the other way: the cheaper iFi iCAN Pro drives one model to 100 dB that the Rupert Neve RNHP does not.
Only published figures count here; blank axes are counted separately.
Each has a page of its own with a full headphone list and the provenance of every figure — worth opening here, because iFi iCAN Pro has published no electrical specification at all and everything above comes from independent measurement: iFi iCAN Pro and Rupert Neve RNHP.