Short answer
Both are desktop amplifiers, $176 against $160.
The SMSL HO100 reaches 100 dB on 567 of the 567 models here, the Little Dot MK II on 560.
| Specification | Little Dot MK II | SMSL HO100 |
|---|---|---|
| Power into 32Ω | 100 mW | 1.5 W |
| Power into 150Ω | 214 mW | 354 mW |
| Power into 300Ω | 300 mW | 200 mW |
| Power into 600Ω | 150 mW | 100 mW |
| Output impedance | not published | <0.1 Ω |
| Output noise | not published | 1.3 µV |
| Price | $176 | $160 |
| Headphones it reaches 100 dB on out of 567 | 560 | 567 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | Little Dot MK II | SMSL HO100 |
|---|---|---|
| 32 Ω | Published | Published |
| 150 Ω | Derived | Derived |
| 300 Ω | Published | Published |
| 600 Ω | Derived | Published |
Both makers publish a power rating. Little Dot MK II publishes at 32 Ω and at 300 Ω; SMSL HO100 at 32 Ω, at 300 Ω and at 600 Ω. The other rows are worked out from those.
So the two columns are not equally firm row by row: at 600 Ω only the SMSL HO100 figure is the maker’s own. On those rows the derived number is the one to doubt first.
7 headphones reach 100 dB on the SMSL HO100 but not on the Little Dot MK II — Moondrop COSMO, Moondrop PARA, Moondrop PARA 2, 4 more.
560 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Shure SE846: SMSL HO100 has +46 dB of headroom there against +28 dB. 18 dB is about 60 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for Little Dot MK II because that maker publishes no output noise figure.
| Headphone | Impedance | Needs | Little Dot MK II headroom | SMSL HO100 headroom | Little Dot MK II hiss | SMSL HO100 hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +28 dB | +46 dB | not published | 17 dB |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +8 dB | +26 dB | not published | -3 dB |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +22 dB | +30 dB | not published | -5 dB |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +26 dB | +26 dB | not published | -10 dB |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +10 dB | +24 dB | not published | -11 dB |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +21 dB | +19 dB | not published | -16 dB |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +17 dB | +15 dB | not published | -21 dB |
| HiFiMAN Susvara | 60 Ω | 50 mW | +4 dB | +12 dB | not published | -23 dB |
The Little Dot MK II costs $16 more than the SMSL HO100, and on these three axes the money buys nothing: among the 567 models here there is not one that the Little Dot MK II handles and the SMSL HO100 does not — not on power, not on the one-eighth rule, not on hiss. The traffic runs the other way: the cheaper SMSL HO100 drives 7 models to 100 dB that the Little Dot MK II does not.
Only published figures count here; blank axes are counted separately.
Each in full: Little Dot MK II and SMSL HO100.