Short answer
Both are audio interfaces, $329 against $210.
The M-Audio AIR 192|14 reaches 100 dB on 563 of the 567 models here, the Roland Rubix22 on 542.
| Specification | M-Audio AIR 192|14 | Roland Rubix22 |
|---|---|---|
| Power into 32Ω | 160 mW | 19 mW |
| Power into 150Ω | 34 mW | 15 mW |
| Power into 300Ω | 17 mW | 9.4 mW |
| Power into 600Ω | 8.5 mW | 5.4 mW |
| Output impedance | not published | 47 Ω |
| Output noise | not published | not published |
| Price | $329 | $210 |
| Headphones it reaches 100 dB on out of 567 | 563 | 542 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | M-Audio AIR 192|14 | Roland Rubix22 |
|---|---|---|
| 32 Ω | Published | Derived |
| 150 Ω | Derived | Derived |
| 300 Ω | Derived | Derived |
| 600 Ω | Derived | Derived |
Only one of these two columns starts from a power rating. M-Audio AIR 192|14 publishes one at 32 Ω; Roland Rubix22 publishes none at any of these four loads, so its column is worked out from power it published at other loads. Both are arithmetic on a maker’s own figures rather than guesses, and the method used for the Roland Rubix22 understates rather than flatters — but at 32 Ω is the only load here at which its maker can be held to a figure.
21 headphones reach 100 dB on the M-Audio AIR 192|14 but not on the Roland Rubix22 — Audeze LCD-5, Dan Clark Audio AEON 2 Closed, Dan Clark Audio AEON 2 Noire, 18 more.
542 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the HiFiMAN HE400se: M-Audio AIR 192|14 has +12 dB of headroom there against +3 dB. 9 dB is about 8.3 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for M-Audio AIR 192|14 and Roland Rubix22 because neither maker publishes no output noise figure.
| Headphone | Impedance | Needs | M-Audio AIR 192|14 headroom | Roland Rubix22 headroom | M-Audio AIR 192|14 hiss | Roland Rubix22 hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +31 dB | +21 dB damping | not published | not published |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +11 dB | +1 dB damping | not published | not published |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +20 dB | +13 dB damping | not published | not published |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +15 dB | +12 dB damping | not published | not published |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +12 dB | +3 dB damping | not published | not published |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +8 dB | +6 dB | not published | not published |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +4 dB | +2 dB damping | not published | not published |
| HiFiMAN Susvara | 60 Ω | 50 mW | +2 dB | -4 dB damping | not published | not published |
The M-Audio AIR 192|14 costs $119 more than the Roland Rubix22. Out of the 567 models here, that difference buys 21 more models driven to 100 dB.
Nothing runs the other way: there is no axis here on which the cheaper of the two does better.
Only published figures count here; blank axes are counted separately.
Each in full: M-Audio AIR 192|14 and Roland Rubix22.