Short answer
Both are audio interfaces, $149 against $100.
The PreSonus Studio 24c reaches 100 dB on 552 of the 567 models here, the Zoom AMS-22 on 538.
| Specification | PreSonus Studio 24c | Zoom AMS-22 |
|---|---|---|
| Power into 32Ω | 27 mW | 20 mW |
| Power into 150Ω | 18 mW | 6.5 mW |
| Power into 300Ω | 8.8 mW | 3.4 mW |
| Power into 600Ω | 4.4 mW | 1.8 mW |
| Output impedance | not published | 10 Ω |
| Output noise | not published | not published |
| Price | $149 | $100 |
| Headphones it reaches 100 dB on out of 567 | 552 | 538 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | PreSonus Studio 24c | Zoom AMS-22 |
|---|---|---|
| 32 Ω | Derived | Published |
| 150 Ω | Derived | Derived |
| 300 Ω | Derived | Derived |
| 600 Ω | Derived | Derived |
Only one of these two columns starts from a power rating. Zoom AMS-22 publishes one at 32 Ω; PreSonus Studio 24c publishes none at any of these four loads, so its column is worked out from power it published at other loads. Both are arithmetic on a maker’s own figures rather than guesses, and the method used for the PreSonus Studio 24c understates rather than flatters — but at 32 Ω is the only load here at which its maker can be held to a figure.
14 headphones reach 100 dB on the PreSonus Studio 24c but not on the Zoom AMS-22 — Abyss AB-1266 Phi TC, Audeze LCD-5, Beyerdynamic DT 880 Edition (600Ω), 11 more.
538 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the HiFiMAN Susvara: PreSonus Studio 24c has -1 dB of headroom there against -6 dB. 6 dB is about 3.7 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for PreSonus Studio 24c and Zoom AMS-22 because neither maker publishes no output noise figure.
| Headphone | Impedance | Needs | PreSonus Studio 24c headroom | Zoom AMS-22 headroom | PreSonus Studio 24c hiss | Zoom AMS-22 hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +23 dB | +22 dB damping | not published | not published |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +3 dB | +2 dB damping | not published | not published |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +17 dB | +11 dB damping | not published | not published |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +12 dB | +8 dB | not published | not published |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +4 dB | +3 dB damping | not published | not published |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +5 dB | +2 dB | not published | not published |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +1 dB | -3 dB | not published | not published |
| HiFiMAN Susvara | 60 Ω | 50 mW | -1 dB | -6 dB damping | not published | not published |
The PreSonus Studio 24c costs $49 more than the Zoom AMS-22. Out of the 567 models here, that difference buys 14 more models driven to 100 dB.
Nothing runs the other way: there is no axis here on which the cheaper of the two does better.
Only published figures count here; blank axes are counted separately.
Each in full: PreSonus Studio 24c and Zoom AMS-22.