Short answer
Both are audio interfaces, $1399 against $1749.
The RME ADI-2 DAC FS reaches 100 dB on 567 of the 567 models here, the RME Fireface UCX II on 564.
| Specification | RME ADI-2 DAC FS | RME Fireface UCX II |
|---|---|---|
| Power into 32Ω | 1.2 W | 210 mW |
| Power into 150Ω | 256 mW | 45 mW |
| Power into 300Ω | 128 mW | 22 mW |
| Power into 600Ω | 64 mW | 11 mW |
| Output impedance | 0.1 Ω | 1 Ω |
| Output noise | 2.18 µV | not published |
| Price | $1399 | $1749 |
| Headphones it reaches 100 dB on out of 567 | 567 | 564 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | RME ADI-2 DAC FS | RME Fireface UCX II |
|---|---|---|
| 32 Ω | Published | Published |
| 150 Ω | Derived | Derived |
| 300 Ω | Derived | Derived |
| 600 Ω | Derived | Derived |
Both makers publish a power rating. RME ADI-2 DAC FS publishes at 32 Ω; RME Fireface UCX II at 32 Ω. The other rows are worked out from those.
The two publish at the same loads, which is the one case where the rows of this table can be read straight across.
3 headphones reach 100 dB on the RME ADI-2 DAC FS but not on the RME Fireface UCX II — Moondrop PARA, Symphonium Crimson, Symphonium Titan.
15 headphones are left alone by the RME ADI-2 DAC FS under the one-eighth rule but coloured by the RME Fireface UCX II (64 Audio Nio, 64 Audio Volur, Campfire Audio Andromeda 2023, 12 more).
564 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Shure SE846: RME ADI-2 DAC FS has +41 dB of headroom there against +32 dB. 10 dB is about 9 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for RME Fireface UCX II because that maker publishes no output noise figure.
| Headphone | Impedance | Needs | RME ADI-2 DAC FS headroom | RME Fireface UCX II headroom | RME ADI-2 DAC FS hiss | RME Fireface UCX II hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +41 dB | +32 dB | 21 dB | not published |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +21 dB | +12 dB | 1 dB | not published |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +28 dB | +21 dB | -1 dB | not published |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +24 dB | +16 dB | -5 dB | not published |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +21 dB | +13 dB | -6 dB | not published |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +17 dB | +10 dB | -12 dB | not published |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +13 dB | +5 dB | -16 dB | not published |
| HiFiMAN Susvara | 60 Ω | 50 mW | +11 dB | +3 dB | -18 dB | not published |
The RME Fireface UCX II costs $350 more than the RME ADI-2 DAC FS, and on these three axes the money buys nothing: among the 567 models here there is not one that the RME Fireface UCX II handles and the RME ADI-2 DAC FS does not — not on power, not on the one-eighth rule, not on hiss. The traffic runs the other way: the cheaper RME ADI-2 DAC FS drives 3 models to 100 dB and leaves 15 alone under the one-eighth rule that the RME Fireface UCX II does not.
Only published figures count here; blank axes are counted separately.
Each in full: RME ADI-2 DAC FS and RME Fireface UCX II.