RME ADI-2 Pro FS R vs RME Fireface UCX II

Short answer

  • More power: the RME ADI-2 Pro FS R, with 2.97 W into 32 Ω; the RME Fireface UCX II has 210 mW. The RME ADI-2 Pro FS R drives 3 headphones to 100 dB that the RME Fireface UCX II cannot (Moondrop PARA, Symphonium Crimson, Symphonium Titan).
  • Hiss with sensitive IEMs: cannot be compared — the maker of the RME Fireface UCX II publishes no noise figure.
  • Output impedance: 15 headphones are left alone by the RME ADI-2 Pro FS R under the one-eighth rule but coloured by the RME Fireface UCX II (64 Audio Nio, 64 Audio Volur, Campfire Audio Andromeda 2023, 12 more).
  • Price: the RME ADI-2 Pro FS R costs $450 more; what that buys on these numbers is set out further down, under What the price difference buys.

Both are audio interfaces, $2199 against $1749.

The RME ADI-2 Pro FS R reaches 100 dB on 567 of the 567 models here, the RME Fireface UCX II on 564.

Every published figure, next to each other

SpecificationRME ADI-2 Pro FS RRME Fireface UCX II
Power into 32Ω3.0 W210 mW
Power into 150Ω634 mW45 mW
Power into 300Ω317 mW22 mW
Power into 600Ω158 mW11 mW
Output impedance0.1 Ω1 Ω
Output noise2.18 µVnot published
Price$2199$1749
Headphones it reaches 100 dB on
out of 567
567564

Not published means the maker leaves it out, so that axis cannot be compared.

The 4.4 mm or XLR socket, rated on its own

BalancedRME ADI-2 Pro FS RRME Fireface UCX II
Socketbalancedno separate rating
Power into 32Ω11.8 W derived—
Power into 300Ω1.3 W derived—
Output impedance0.2 Ω—
Output noisenot published—
Headphones it reaches 100 dB on
out of 567
567—

Only the RME ADI-2 Pro FS R has a separate balanced rating from its maker; through it, it reaches 100 dB on 567 of the 567 models here. The RME Fireface UCX II may still have a balanced socket — its spec sheet simply gives no figure for one, so there is nothing to put beside it. Derived figures are worked out from the loads the maker did publish.

Where each power figure comes from

LoadRME ADI-2 Pro FS RRME Fireface UCX II
32 ΩUpper boundPublished
150 ΩUpper boundDerived
300 ΩUpper boundDerived
600 ΩUpper boundDerived

These two columns are not the same kind of number, and that matters more than the gap between them. RME Fireface UCX II publishes a power rating (at 32 Ω); RME ADI-2 Pro FS R publishes no power figure at any load, only a maximum output voltage, so every milliwatt in its column is a ceiling worked out from that voltage.

A ceiling assumes the amplifier holds that voltage into the load, and nothing on RME ADI-2 Pro FS R’s own sheet says it does. It is the most flattering reading available, and it is used here only because the alternative is a blank. Where the RME ADI-2 Pro FS R column looks the stronger of the two, treat the difference as unproven rather than measured. 24 of the 280 sources here are in that position, with no published power rating at any load.

What the labels mean.

The headphones that tell them apart

3 headphones reach 100 dB on the RME ADI-2 Pro FS R but not on the RME Fireface UCX II — Moondrop PARA, Symphonium Crimson, Symphonium Titan.

15 headphones are left alone by the RME ADI-2 Pro FS R under the one-eighth rule but coloured by the RME Fireface UCX II (64 Audio Nio, 64 Audio Volur, Campfire Audio Andromeda 2023, 12 more).

564 of the 567 models here reach 100 dB on both.

Headroom and hiss on 8 models, both sources

Headroom is at a 100 dB SPL peak.

The widest gap on the list is the Sennheiser HD 600: RME ADI-2 Pro FS R has +17 dB of headroom there against +5 dB. 12 dB is about 14 times the power, which matters for peaks rather than for how loud the music sits.

The hiss columns are empty for RME Fireface UCX II because that maker publishes no output noise figure.

HeadphoneImpedanceNeedsRME ADI-2 Pro FS R headroomRME Fireface UCX II headroomRME ADI-2 Pro FS R hissRME Fireface UCX II hiss
Shure SE8469 Ω0.04 mW+43 dB+32 dB21 dBnot published
Campfire Audio Andromeda 20209 Ω4.0 mW+23 dB+12 dB1 dBnot published
Audeze LCD-2 Classic70 Ω0.79 mW+32 dB+21 dB-1 dBnot published
Beyerdynamic DT 1990 Pro (250Ω)250 Ω0.63 mW+28 dB+16 dB-5 dBnot published
HiFiMAN HE400se25 Ω7.9 mW+25 dB+13 dB-6 dBnot published
Audio-Technica ATH-R70X470 Ω1.6 mW+21 dB+10 dB-12 dBnot published
Sennheiser HD 600300 Ω6.6 mW+17 dB+5 dB-16 dBnot published
HiFiMAN Susvara60 Ω50 mW+15 dB+3 dB-18 dBnot published

The gap in dollars, against the gap in numbers

The RME ADI-2 Pro FS R costs $450 more than the RME Fireface UCX II. Out of the 567 models here, that difference buys 3 more models driven to 100 dB and 15 more models left alone under the one-eighth rule.

Nothing runs the other way: there is no axis here on which the cheaper of the two does better.

Only published figures count here; blank axes are counted separately.

Both pages in full

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