Short answer
Both are desktop amplifiers, $449 against $499.
The Schiit Lyr+ reaches 100 dB on 567 of the 567 models here, the Schiit Valhalla 3 on 566.
| Specification | Schiit Lyr+ | Schiit Valhalla 3 |
|---|---|---|
| Power into 32Ω | 6.0 W | 750 mW |
| Power into 150Ω | 1.5 W | 286 mW |
| Power into 300Ω | 900 mW | 250 mW |
| Power into 600Ω | 450 mW | 125 mW |
| Output impedance | 0.4 Ω | 25 Ω |
| Output noise | not published | 6.32 µV |
| Price | $449 | $499 |
| Headphones it reaches 100 dB on out of 567 | 567 | 566 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | Schiit Lyr+ | Schiit Valhalla 3 |
|---|---|---|
| 32 Ω | Published | Published |
| 150 Ω | Derived | Derived |
| 300 Ω | Published | Published |
| 600 Ω | Published | Derived |
Both makers publish a power rating. Schiit Lyr+ publishes at 32 Ω, at 300 Ω and at 600 Ω; Schiit Valhalla 3 at 32 Ω and at 300 Ω. The other rows are worked out from those.
So the two columns are not equally firm row by row: at 600 Ω only the Schiit Lyr+ figure is the maker’s own. On those rows the derived number is the one to doubt first.
1 headphone reaches 100 dB on the Schiit Lyr+ but not on the Schiit Valhalla 3 — Symphonium Titan.
534 headphones are left alone by the Schiit Lyr+ under the one-eighth rule but coloured by the Schiit Valhalla 3 (64 Audio Aspire 1, 64 Audio Fourte, 64 Audio Nio, 531 more).
566 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Shure SE846: Schiit Lyr+ has +51 dB of headroom there against +37 dB. 14 dB is about 24 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for Schiit Lyr+ because that maker publishes no output noise figure.
| Headphone | Impedance | Needs | Schiit Lyr+ headroom | Schiit Valhalla 3 headroom | Schiit Lyr+ hiss | Schiit Valhalla 3 hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +51 dB | +37 dB damping | not published | 30 dB |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +31 dB | +17 dB damping | not published | 10 dB |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +36 dB | +27 dB damping | not published | 9 dB |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +32 dB | +26 dB | not published | 4 dB |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +29 dB | +19 dB damping | not published | 3 dB |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +26 dB | +20 dB | not published | -3 dB |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +21 dB | +16 dB | not published | -7 dB |
| HiFiMAN Susvara | 60 Ω | 50 mW | +18 dB | +10 dB damping | not published | -9 dB |
The Schiit Valhalla 3 costs $50 more than the Schiit Lyr+, and on these three axes the money buys nothing: among the 567 models here there is not one that the Schiit Valhalla 3 handles and the Schiit Lyr+ does not — not on power, not on the one-eighth rule, not on hiss. The traffic runs the other way: the cheaper Schiit Lyr+ drives one model to 100 dB and leaves 534 alone under the one-eighth rule that the Schiit Valhalla 3 does not.
Only published figures count here; blank axes are counted separately.
Each in full: Schiit Lyr+ and Schiit Valhalla 3.