Short answer
Both are desktop amplifiers, $449 against $399.
On raw power they are level: each reaches 100 dB on 567 of the 567 non-electrostatic models here.
| Specification | Schiit Lyr+ | SMSL HO200 |
|---|---|---|
| Power into 32Ω | 6.0 W | 3.0 W |
| Power into 150Ω | 1.5 W | 640 mW |
| Power into 300Ω | 900 mW | 320 mW |
| Power into 600Ω | 450 mW | 160 mW |
| Output impedance | 0.4 Ω | <0.1 Ω |
| Output noise | not published | 1.0 µV |
| Price | $449 | $399 |
| Headphones it reaches 100 dB on out of 567 | 567 | 567 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | Schiit Lyr+ | SMSL HO200 |
|---|---|---|
| 32 Ω | Published | Published |
| 150 Ω | Derived | Derived |
| 300 Ω | Published | Derived |
| 600 Ω | Published | Derived |
Both makers publish a power rating. Schiit Lyr+ publishes at 32 Ω, at 300 Ω and at 600 Ω; SMSL HO200 at 32 Ω. The other rows are worked out from those.
So the two columns are not equally firm row by row: at 300 Ω and at 600 Ω only the Schiit Lyr+ figure is the maker’s own. On those rows the derived number is the one to doubt first.
On power they are interchangeable across this whole database: there is no headphone here that one reaches 100 dB on and the other does not.
1 headphone is left alone by the SMSL HO200 under the one-eighth rule but coloured by the Schiit Lyr+ (Symphonium Titan).
567 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Sennheiser HD 600: Schiit Lyr+ has +21 dB of headroom there against +17 dB. 4 dB is about 2.8 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for Schiit Lyr+ because that maker publishes no output noise figure.
| Headphone | Impedance | Needs | Schiit Lyr+ headroom | SMSL HO200 headroom | Schiit Lyr+ hiss | SMSL HO200 hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +51 dB | +49 dB | not published | 14 dB |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +31 dB | +29 dB | not published | -6 dB |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +36 dB | +32 dB | not published | -7 dB |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +32 dB | +28 dB | not published | -12 dB |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +29 dB | +27 dB | not published | -13 dB |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +26 dB | +21 dB | not published | -19 dB |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +21 dB | +17 dB | not published | -23 dB |
| HiFiMAN Susvara | 60 Ω | 50 mW | +18 dB | +15 dB | not published | -25 dB |
The Schiit Lyr+ costs $50 more than the SMSL HO200, and on these three axes the money buys nothing: among the 567 models here there is not one that the Schiit Lyr+ handles and the SMSL HO200 does not — not on power, not on the one-eighth rule, not on hiss. The traffic runs the other way: the cheaper SMSL HO200 leaves one model alone under the one-eighth rule that the Schiit Lyr+ does not.
Only published figures count here; blank axes are counted separately.
Each in full: Schiit Lyr+ and SMSL HO200.