Short answer
Both are desktop amplifiers, both at $699.
On raw power they are level: each reaches 100 dB on 567 of the 567 non-electrostatic models here.
| Specification | Singxer SA-1 | SMSL SH-X |
|---|---|---|
| Power into 32Ω | 5.5 W | 5.5 W |
| Power into 150Ω | 1.6 W | 1.2 W |
| Power into 300Ω | 785 mW | 600 mW |
| Power into 600Ω | 380 mW | 300 mW |
| Output impedance | 1.4 Ω | <0.1 Ω |
| Output noise | 0.3 µV | not published |
| Price | $699 | $699 |
| Headphones it reaches 100 dB on out of 567 | 567 | 567 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | Singxer SA-1 | SMSL SH-X |
|---|---|---|
| 32 Ω | Published | Published |
| 150 Ω | Derived | Derived |
| 300 Ω | Derived | Published |
| 600 Ω | Published | Published |
Both makers publish a power rating. Singxer SA-1 publishes at 32 Ω and at 600 Ω; SMSL SH-X at 32 Ω, at 300 Ω and at 600 Ω. The other rows are worked out from those.
So the two columns are not equally firm row by row: at 300 Ω only the SMSL SH-X figure is the maker’s own. On those rows the derived number is the one to doubt first.
On power they are interchangeable across this whole database: there is no headphone here that one reaches 100 dB on and the other does not.
51 headphones are left alone by the SMSL SH-X under the one-eighth rule but coloured by the Singxer SA-1 (64 Audio Aspire 1, 64 Audio Fourte, 64 Audio Nio, 48 more).
567 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Beyerdynamic DT 1990 Pro (250Ω): Singxer SA-1 has +32 dB of headroom there against +31 dB. 1 dB is about 1.3 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for SMSL SH-X because that maker publishes no output noise figure.
| Headphone | Impedance | Needs | Singxer SA-1 headroom | SMSL SH-X headroom | Singxer SA-1 hiss | SMSL SH-X hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +52 dB damping | +52 dB | 4 dB | not published |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +32 dB damping | +32 dB | -16 dB | not published |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +36 dB | +35 dB | -18 dB | not published |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +32 dB | +31 dB | -22 dB | not published |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +29 dB | +30 dB | -23 dB | not published |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +25 dB | +24 dB | -29 dB | not published |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +21 dB | +20 dB | -33 dB | not published |
| HiFiMAN Susvara | 60 Ω | 50 mW | +18 dB | +18 dB | -35 dB | not published |
These two cost the same, $699, so price settles nothing. Out of the 567 models here, the SMSL SH-X leaves 51 models alone under the one-eighth rule — and on the other side there is no such advantage at all.
Only published figures count here; blank axes are counted separately.
Each in full: Singxer SA-1 and SMSL SH-X.