Both are audio interfaces, $194 against $199. This page puts them side by side on the only three things a maker can be held to — power, output impedance and noise — and then asks the question that actually matters: which headphones do they treat differently?
The Steinberg UR24C reaches 100 dB on 558 of the 567 models here, the Tascam US-2x2HR on 541.
| Specification | Steinberg UR24C | Tascam US-2x2HR |
|---|---|---|
| Power into 32Ω | 80 mW | 18 mW |
| Power into 150Ω | 27 mW | 17 mW |
| Power into 300Ω | 13 mW | 12 mW |
| Power into 600Ω | 6.7 mW | 7.3 mW |
| Output impedance | not published | 66 Ω |
| Output noise | not published | not published |
| Price | $194 | $199 |
| Headphones it reaches 100 dB on out of 567 | 558 | 541 |
A figure marked not published is missing from the maker’s own material, which is not the same as being good or bad. Where one of these two publishes a number and the other does not, the comparison on that axis cannot be made at all — and saying so is more useful than guessing.
17 headphones reach 100 dB on the Steinberg UR24C but not on the Tascam US-2x2HR — Abyss AB-1266 Phi TC, Audeze LCD-5, Dan Clark Audio AEON 2 Closed, 14 more.
541 of the 567 models here reach 100 dB on both. That is a power count and nothing more; whether either source suits a given headphone also depends on the two lines above.
Each has a page of its own with every power figure traced to what the maker published and a full headphone list: Steinberg UR24C and Tascam US-2x2HR. Or put either against your own headphones in the source comparison tool.