The Audio-Technica ATH-R50x is 50Ω at 93.3 dB/mW; the Audio-Technica ATH-R70X is 470Ω at 98.0 dB/mW. This page covers what they ask of an amplifier, not how they sound.
The ATH-R50x needs 4.7 dB more than the ATH-R70X to reach the same loudness — 4.7 mW against 1.6 mW.
| Specification | ATH-R50x | ATH-R70X |
|---|---|---|
| Impedance | 50 Ω | 470 Ω |
| Sensitivity | 93.3 dB/mW | 98.0 dB/mW |
| Sensitivity (voltage) | 106.3 dB/V | 101.3 dB/V |
| Power for 100 dB | 4.7 mW | 1.6 mW |
| Voltage for 100 dB | 0.48 V | 0.86 V |
| Current for 100 dB | 9.7 mA | 1.8 mA |
| Highest source impedance that leaves them alone (one-eighth rule) | 6.25 Ω | 58.75 Ω |
| Sources that reach 100 dB out of 280 | 280 | 277 |
3 of the 280 sources have the power for the ATH-R50x but not for the ATH-R70X — Apple USB-C dongle (EU), Steinberg UR22C, Sony NW-A306.
32 sources are low enough in output impedance for the ATH-R70X under the one-eighth rule but not for the ATH-R50x (Zoom AMS-22, Audient EVO 4, ART HeadAmp 4 Pro, 29 more).
277 of the 280 sources here reach 100 dB on both.
The ATH-R70X is more demanding than 96% of the 567 non-electrostatic models in this database; the ATH-R50x than 86%.
| dB SPL | ATH-R50x power | ATH-R50x voltage | ATH-R70X power | ATH-R70X voltage |
|---|---|---|---|---|
| 80 | 0.05 mW | 48 mV | 0.02 mW | 86 mV |
| 85 | 0.15 mW | 86 mV | 0.05 mW | 0.15 V |
| 90 | 0.47 mW | 0.15 V | 0.16 mW | 0.27 V |
| 95 | 1.5 mW | 0.27 V | 0.50 mW | 0.49 V |
| 100 | 4.7 mW | 0.48 V | 1.6 mW | 0.86 V |
| 105 | 15 mW | 0.86 V | 5.0 mW | 1.53 V |
| Source | Price | Headroom, ATH-R50x | Headroom, ATH-R70X | Output impedance | Noise |
|---|---|---|---|---|---|
| JadeAudio JA11 | $20 | 6.1 dB | 1.1 dB | 0.5 Ω | 1.7 µV |
| FiiO KA11 | $29 | 14.4 dB | 9.5 dB | 0.7 Ω | 1.7 µV |
| FiiO BTR11 | $36 | 6.1 dB | 0.8 dB | 0.5 Ω | 8.0 µV |
Of the 280 sources here, 277 reach 100 dB on both. 70 of them also publish an output impedance low enough for both under the one-eighth rule and a noise figure that stays below the audible-hiss threshold with both.
The cheapest of the 70 is the JadeAudio JA11, at $20. It leaves 6.1 dB of headroom on the ATH-R50x and 1.1 dB on the ATH-R70X, its output impedance is 0.5 Ω against a one-eighth limit of 6.25 Ω and 58.75 Ω, and its noise figure puts the hiss floor 29 dB and 34 dB below the 20 dB SPL this site treats as the point where a quiet room stops hiding it.
| Model | As printed | Tolerance | Standard |
|---|---|---|---|
| ATH-R50x | 5 to 40,000 Hz | not printed | not printed |
| ATH-R70X | 5 - 40,000 Hz | not printed | not printed |
Audio-Technica prints 5 to 40,000 Hz for the ATH-R50x and 5 - 40,000 Hz for the ATH-R70X.
Neither range has a tolerance printed beside it, so a wider range on one sheet is not deeper bass or more treble.
Not a measurement; maker by maker.
Both have a page of their own. In full: Audio-Technica ATH-R50x and Audio-Technica ATH-R70X. Every figure on this page comes from what Audio-Technica published, or is derived from it — what that maker publishes, counted.