The Shure SRH145 is 34Ω at 100.0 dB/mW; the Shure SRH1840 is 65Ω at 96.0 dB/mW. This page covers what they ask of an amplifier, not how they sound.
The SRH1840 needs 4.0 dB more than the SRH145 to reach the same loudness — 2.5 mW against 1.0 mW.
| Specification | SRH145 | SRH1840 |
|---|---|---|
| Impedance | 34 Ω | 65 Ω |
| Sensitivity | 100.0 dB/mW | 96.0 dB/mW |
| Sensitivity (voltage) | 114.7 dB/V | 107.9 dB/V |
| Power for 100 dB | 1.0 mW | 2.5 mW |
| Voltage for 100 dB | 0.18 V | 0.40 V |
| Current for 100 dB | 5.4 mA | 6.2 mA |
| Highest source impedance that leaves them alone (one-eighth rule) | 4.25 Ω | 8.12 Ω |
| Sources that reach 100 dB out of 280 | 280 | 280 |
Every source in the database that drives one of them drives the other. On power, the choice between these two changes nothing about what amplifier you need.
1 source is low enough in output impedance for the SRH1840 under the one-eighth rule but not for the SRH145 (Shanling H5).
1 source stays below the audible-hiss threshold with the SRH1840 but crosses it with the SRH145 (Schiit Mjolnir 3).
280 of the 280 sources here reach 100 dB on both.
The SRH1840 is more demanding than 83% of the 567 non-electrostatic models in this database; the SRH145 than 55%.
| dB SPL | SRH145 power | SRH145 voltage | SRH1840 power | SRH1840 voltage |
|---|---|---|---|---|
| 80 | 0.01 mW | 18 mV | 0.03 mW | 40 mV |
| 85 | 0.03 mW | 33 mV | 0.08 mW | 72 mV |
| 90 | 0.10 mW | 58 mV | 0.25 mW | 0.13 V |
| 95 | 0.32 mW | 0.10 V | 0.79 mW | 0.23 V |
| 100 | 1.0 mW | 0.18 V | 2.5 mW | 0.40 V |
| 105 | 3.2 mW | 0.33 V | 7.9 mW | 0.72 V |
| Source | Price | Headroom, SRH145 | Headroom, SRH1840 | Output impedance | Noise |
|---|---|---|---|---|---|
| JadeAudio JA11 | $20 | 14.5 dB | 7.7 dB | 0.5 Ω | 1.7 µV |
| FiiO KA11 | $29 | 22.7 dB | 16.0 dB | 0.7 Ω | 1.7 µV |
| FiiO BTR11 | $36 | 14.5 dB | 7.7 dB | 0.5 Ω | 8.0 µV |
Of the 280 sources here, 280 reach 100 dB on both. 69 of them also publish an output impedance low enough for both under the one-eighth rule and a noise figure that stays below the audible-hiss threshold with both.
The cheapest of the 69 is the JadeAudio JA11, at $20. It leaves 14.5 dB of headroom on the SRH145 and 7.7 dB on the SRH1840, its output impedance is 0.5 Ω against a one-eighth limit of 4.25 Ω and 8.12 Ω, and its noise figure puts the hiss floor 21 dB and 28 dB below the 20 dB SPL this site treats as the point where a quiet room stops hiding it.
| Model | As printed | Tolerance | Standard |
|---|---|---|---|
| SRH145 | 25 to 18,000 Hz | not printed | not printed |
| SRH1840 | 10 to 30,000 Hz | not printed | not printed |
Shure prints 25 to 18,000 Hz for the SRH145 and 10 to 30,000 Hz for the SRH1840.
Neither range has a tolerance printed beside it, so a wider range on one sheet is not deeper bass or more treble.
Not a measurement; maker by maker.
Both have a page of their own. In full: Shure SRH145 and Shure SRH1840. Every figure on this page comes from what Shure published, or is derived from it — what that maker publishes, counted.