Short answer
Both are audio interfaces, $649 against $899.
The Apogee Duet 3 reaches 100 dB on 567 of the 567 models here, the RME Babyface Pro FS on 565.
| Specification | Apogee Duet 3 | RME Babyface Pro FS |
|---|---|---|
| Power into 32Ω | 1.2 W | 374 mW |
| Power into 150Ω | 252 mW | 80 mW |
| Power into 300Ω | 126 mW | 40 mW |
| Power into 600Ω | 63 mW | 20 mW |
| Output impedance | 0.5 Ω | 10 Ω |
| Output noise | not published | 6.3 µV |
| Price | $649 | $899 |
| Headphones it reaches 100 dB on out of 567 | 567 | 565 |
Not published means the maker leaves it out, so that axis cannot be compared.
| Load | Apogee Duet 3 | RME Babyface Pro FS |
|---|---|---|
| 32 Ω | Upper bound | Upper bound |
| 150 Ω | Upper bound | Upper bound |
| 300 Ω | Upper bound | Upper bound |
| 600 Ω | Upper bound | Upper bound |
Neither maker publishes a power rating at any load. Both columns above are ceilings, worked out from a maximum output voltage on the assumption that the amplifier holds it into the load — the most flattering reading available for either. 24 of the 280 sources here are in that position. Whichever of the two looks the stronger on power, the difference is unproven; the output-impedance and noise rows are the ones to go on.
2 headphones reach 100 dB on the Apogee Duet 3 but not on the RME Babyface Pro FS — Moondrop PARA, Symphonium Titan.
509 headphones are left alone by the Apogee Duet 3 under the one-eighth rule but coloured by the RME Babyface Pro FS (64 Audio Aspire 1, 64 Audio Fourte, 64 Audio Nio, 506 more).
565 of the 567 models here reach 100 dB on both.
Headroom is at a 100 dB SPL peak.
The widest gap on the list is the Sennheiser HD 600: Apogee Duet 3 has +13 dB of headroom there against +8 dB. 5 dB is about 3.2 times the power, which matters for peaks rather than for how loud the music sits.
The hiss columns are empty for Apogee Duet 3 because that maker publishes no output noise figure.
| Headphone | Impedance | Needs | Apogee Duet 3 headroom | RME Babyface Pro FS headroom | Apogee Duet 3 hiss | RME Babyface Pro FS hiss |
|---|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 0.04 mW | +39 dB | +34 dB damping | not published | 30 dB |
| Campfire Audio Andromeda 2020 | 9 Ω | 4.0 mW | +19 dB | +14 dB damping | not published | 10 dB |
| Audeze LCD-2 Classic | 70 Ω | 0.79 mW | +28 dB | +23 dB damping | not published | 9 dB |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 0.63 mW | +24 dB | +19 dB | not published | 4 dB |
| HiFiMAN HE400se | 25 Ω | 7.9 mW | +21 dB | +16 dB damping | not published | 3 dB |
| Audio-Technica ATH-R70X | 470 Ω | 1.6 mW | +17 dB | +12 dB | not published | -3 dB |
| Sennheiser HD 600 | 300 Ω | 6.6 mW | +13 dB | +8 dB | not published | -7 dB |
| HiFiMAN Susvara | 60 Ω | 50 mW | +11 dB | +6 dB damping | not published | -9 dB |
The RME Babyface Pro FS costs $250 more than the Apogee Duet 3, and on these three axes the money buys nothing: among the 567 models here there is not one that the RME Babyface Pro FS handles and the Apogee Duet 3 does not — not on power, not on the one-eighth rule, not on hiss. The traffic runs the other way: the cheaper Apogee Duet 3 drives 2 models to 100 dB and leaves 509 alone under the one-eighth rule that the RME Babyface Pro FS does not.
Only published figures count here; blank axes are counted separately.
Each in full: Apogee Duet 3 and RME Babyface Pro FS.