RME Babyface Pro FS: power output and what it will drive

The RME Babyface Pro FS is a audio interface at $899. It delivers 374 mW into 32Ω and 40 mW into 300Ω, which ranks it 76 of 156 for raw power among the sources in this database.

Measured at 100 dB SPL it has comfortable headroom on 389 of the 396 dynamic and planar headphones catalogued here, enough but not generous on 6 and only marginal on 1.

What it actually puts out

TypeAudio interface
Price$899
Power into 32 Ω374 mW
Power into 150 Ω80 mW
Power into 300 Ω40 mW
Power into 600 Ω20 mW
Output impedance10 Ω
Output noise6.3 µV
Comfortable headroom on 389 of 396 headphones (98%) · marginal on 1

Where these numbers come from

The manufacturer publishes a maximum output of 3.46 V but no power rating at any load. Every figure above is therefore a ceiling: the real output into a low impedance will be lower, possibly much lower.

Derivation holds output voltage steady between and beyond the published loads rather than output power, because that is what an amplifier actually does. The full method is written up here.

Source: rme-audio.de.

LoadPowerStatusHow it was arrived at
32 Ω374 mWUpper boundthe manufacturer publishes a maximum output voltage but no power rating, so this is a ceiling, not a rating
150 Ω80 mWUpper boundthe manufacturer publishes a maximum output voltage but no power rating, so this is a ceiling, not a rating
300 Ω40 mWUpper boundthe manufacturer publishes a maximum output voltage but no power rating, so this is a ceiling, not a rating
600 Ω20 mWUpper boundthe manufacturer publishes a maximum output voltage but no power rating, so this is a ceiling, not a rating

Against 41 well-known headphones

Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.

These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and HE-6se and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.

HeadphoneImpedancedB/mWNeedsHeadroomVerdict
Shure SE8469 Ω114.00.04 mW+34 dBComfortable audible hiss, damping
64 Audio U12t13 Ω108.00.16 mW+30 dBComfortable audible hiss, damping
Shure SE21517 Ω107.00.20 mW+30 dBComfortable audible hiss, damping
Moondrop Aria32 Ω107.10.19 mW+33 dBComfortable audible hiss, damping
Audeze LCD-X 202120 Ω103.00.50 mW+27 dBComfortable audible hiss, damping
Truthear Hexa21 Ω103.10.49 mW+27 dBComfortable audible hiss, damping
Sennheiser HD 25 (1-II)70 Ω108.00.16 mW+30 dBComfortable audible hiss, damping
Sennheiser IE 20018 Ω101.60.69 mW+25 dBComfortable audible hiss, damping
Sony MDR-750663 Ω106.00.25 mW+29 dBComfortable audible hiss, damping
Meze 99 Classics32 Ω103.00.50 mW+29 dBComfortable audible hiss, damping
Focal Clear MG55 Ω104.00.40 mW+27 dBComfortable audible hiss, damping
Philips SHP950032 Ω101.00.79 mW+27 dBComfortable audible hiss, damping
Focal Utopia80 Ω104.00.40 mW+26 dBComfortable audible hiss
Meze Empyrean32 Ω100.01.0 mW+26 dBComfortable audible hiss, damping
Campfire Audio Andromeda 20209 Ω94.04.0 mW+14 dBComfortable audible hiss, damping
Etymotic ER2SE15 Ω96.02.5 mW+18 dBComfortable audible hiss, damping
AKG K37132 Ω99.11.2 mW+25 dBComfortable audible hiss, damping
Audio-Technica ATH-M50X38 Ω99.01.3 mW+24 dBComfortable faint hiss, damping
Beyerdynamic DT 900 Pro X48 Ω100.01.0 mW+24 dBComfortable faint hiss, damping
Audeze LCD-2 Classic70 Ω101.00.79 mW+23 dBComfortable faint hiss, damping
Grado SR80x38 Ω98.01.6 mW+23 dBComfortable faint hiss, damping
Sennheiser HD 560S120 Ω100.80.83 mW+21 dBComfortable faint hiss
HiFiMAN Edition XS18 Ω92.06.3 mW+15 dBComfortable faint hiss, damping
HiFiMAN Arya Stealth32 Ω94.04.0 mW+20 dBComfortable faint hiss, damping
Dan Clark Audio AEON 2 Closed13 Ω90.010 mW+12 dBComfortable faint hiss, damping
Audeze LCD-514 Ω90.010 mW+12 dBComfortable faint hiss, damping
HiFiMAN Sundara37 Ω94.04.0 mW+19 dBComfortable faint hiss, damping
Beyerdynamic DT 1990 Pro (250Ω)250 Ω102.00.63 mW+19 dBComfortable faint hiss
HiFiMAN HE400se25 Ω91.07.9 mW+16 dBComfortable faint hiss, damping
Dan Clark Audio Stealth23 Ω90.010 mW+14 dBComfortable faint hiss, damping
Fostex T50RP MK350 Ω92.06.3 mW+16 dBComfortable faint hiss, damping
AKG K70262 Ω92.95.1 mW+16 dBComfortable faint hiss, damping
ZMF Verite Closed300 Ω99.01.3 mW+15 dBComfortable faint hiss
Sennheiser HD 650300 Ω97.81.7 mW+14 dBComfortable
Sennheiser HD 800S300 Ω96.82.1 mW+13 dBComfortable
Beyerdynamic DT 770 Pro (250Ω)250 Ω96.02.5 mW+13 dBComfortable
Audio-Technica ATH-R70X470 Ω98.01.6 mW+12 dBComfortable
ZMF Atrium300 Ω96.02.5 mW+12 dBComfortable
Abyss AB-1266 Phi TC50 Ω88.016 mW+12 dBComfortable damping
Sennheiser HD 600300 Ω91.86.6 mW+8 dBEnough
HiFiMAN Susvara60 Ω83.050 mW+6 dBEnough damping

Will it hiss?

At 6.3 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.

This one hisses. With the most sensitive in-ears in the database its own noise lands around 30 dB SPL, which you will hear between tracks and in quiet passages.

In-earImpedanceSensitivityHiss level
Shure SE8469 Ω134.5 dB/V30 dB SPL
64 Audio Fourte10 Ω134.0 dB/V30 dB SPL
Shure SE53536 Ω133.4 dB/V29 dB SPL
Shure AONIC 536 Ω133.4 dB/V29 dB SPL
Campfire Audio Andromeda 20236.375 Ω132.6 dB/V29 dB SPL

Output impedance and the one-eighth rule

At 10 Ω output impedance, the one-eighth rule says this source suits headphones of 80.0Ω and above. 342 of the 396 models here fall below that, mostly multi-driver in-ears, where the mismatch tilts the frequency response audibly rather than subtly.

The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.

Other audio interfaces at a similar price

Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher.