The RME Babyface Pro FS is a audio interface at $899. It delivers 374 mW into 32Ω and 40 mW into 300Ω, which ranks it 76 of 156 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 389 of the 396 dynamic and planar headphones catalogued here, enough but not generous on 6 and only marginal on 1.
The manufacturer publishes a maximum output of 3.46 V but no power rating at any load. Every figure above is therefore a ceiling: the real output into a low impedance will be lower, possibly much lower.
Derivation holds output voltage steady between and beyond the published loads rather than output power, because that is what an amplifier actually does. The full method is written up here.
Source: rme-audio.de.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 32 Ω | 374 mW | Upper bound | the manufacturer publishes a maximum output voltage but no power rating, so this is a ceiling, not a rating |
| 150 Ω | 80 mW | Upper bound | the manufacturer publishes a maximum output voltage but no power rating, so this is a ceiling, not a rating |
| 300 Ω | 40 mW | Upper bound | the manufacturer publishes a maximum output voltage but no power rating, so this is a ceiling, not a rating |
| 600 Ω | 20 mW | Upper bound | the manufacturer publishes a maximum output voltage but no power rating, so this is a ceiling, not a rating |
Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.
These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and HE-6se and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.
| Headphone | Impedance | dB/mW | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 | 0.04 mW | +34 dB | Comfortable audible hiss, damping |
| 64 Audio U12t | 13 Ω | 108.0 | 0.16 mW | +30 dB | Comfortable audible hiss, damping |
| Shure SE215 | 17 Ω | 107.0 | 0.20 mW | +30 dB | Comfortable audible hiss, damping |
| Moondrop Aria | 32 Ω | 107.1 | 0.19 mW | +33 dB | Comfortable audible hiss, damping |
| Audeze LCD-X 2021 | 20 Ω | 103.0 | 0.50 mW | +27 dB | Comfortable audible hiss, damping |
| Truthear Hexa | 21 Ω | 103.1 | 0.49 mW | +27 dB | Comfortable audible hiss, damping |
| Sennheiser HD 25 (1-II) | 70 Ω | 108.0 | 0.16 mW | +30 dB | Comfortable audible hiss, damping |
| Sennheiser IE 200 | 18 Ω | 101.6 | 0.69 mW | +25 dB | Comfortable audible hiss, damping |
| Sony MDR-7506 | 63 Ω | 106.0 | 0.25 mW | +29 dB | Comfortable audible hiss, damping |
| Meze 99 Classics | 32 Ω | 103.0 | 0.50 mW | +29 dB | Comfortable audible hiss, damping |
| Focal Clear MG | 55 Ω | 104.0 | 0.40 mW | +27 dB | Comfortable audible hiss, damping |
| Philips SHP9500 | 32 Ω | 101.0 | 0.79 mW | +27 dB | Comfortable audible hiss, damping |
| Focal Utopia | 80 Ω | 104.0 | 0.40 mW | +26 dB | Comfortable audible hiss |
| Meze Empyrean | 32 Ω | 100.0 | 1.0 mW | +26 dB | Comfortable audible hiss, damping |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 | 4.0 mW | +14 dB | Comfortable audible hiss, damping |
| Etymotic ER2SE | 15 Ω | 96.0 | 2.5 mW | +18 dB | Comfortable audible hiss, damping |
| AKG K371 | 32 Ω | 99.1 | 1.2 mW | +25 dB | Comfortable audible hiss, damping |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 | 1.3 mW | +24 dB | Comfortable faint hiss, damping |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 | 1.0 mW | +24 dB | Comfortable faint hiss, damping |
| Audeze LCD-2 Classic | 70 Ω | 101.0 | 0.79 mW | +23 dB | Comfortable faint hiss, damping |
| Grado SR80x | 38 Ω | 98.0 | 1.6 mW | +23 dB | Comfortable faint hiss, damping |
| Sennheiser HD 560S | 120 Ω | 100.8 | 0.83 mW | +21 dB | Comfortable faint hiss |
| HiFiMAN Edition XS | 18 Ω | 92.0 | 6.3 mW | +15 dB | Comfortable faint hiss, damping |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 | 4.0 mW | +20 dB | Comfortable faint hiss, damping |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 | 10 mW | +12 dB | Comfortable faint hiss, damping |
| Audeze LCD-5 | 14 Ω | 90.0 | 10 mW | +12 dB | Comfortable faint hiss, damping |
| HiFiMAN Sundara | 37 Ω | 94.0 | 4.0 mW | +19 dB | Comfortable faint hiss, damping |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 | 0.63 mW | +19 dB | Comfortable faint hiss |
| HiFiMAN HE400se | 25 Ω | 91.0 | 7.9 mW | +16 dB | Comfortable faint hiss, damping |
| Dan Clark Audio Stealth | 23 Ω | 90.0 | 10 mW | +14 dB | Comfortable faint hiss, damping |
| Fostex T50RP MK3 | 50 Ω | 92.0 | 6.3 mW | +16 dB | Comfortable faint hiss, damping |
| AKG K702 | 62 Ω | 92.9 | 5.1 mW | +16 dB | Comfortable faint hiss, damping |
| ZMF Verite Closed | 300 Ω | 99.0 | 1.3 mW | +15 dB | Comfortable faint hiss |
| Sennheiser HD 650 | 300 Ω | 97.8 | 1.7 mW | +14 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 96.8 | 2.1 mW | +13 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 | 2.5 mW | +13 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 | 1.6 mW | +12 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 | 2.5 mW | +12 dB | Comfortable |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 | 16 mW | +12 dB | Comfortable damping |
| Sennheiser HD 600 | 300 Ω | 91.8 | 6.6 mW | +8 dB | Enough |
| HiFiMAN Susvara | 60 Ω | 83.0 | 50 mW | +6 dB | Enough damping |
At 6.3 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.
This one hisses. With the most sensitive in-ears in the database its own noise lands around 30 dB SPL, which you will hear between tracks and in quiet passages.
| In-ear | Impedance | Sensitivity | Hiss level |
|---|---|---|---|
| Shure SE846 | 9 Ω | 134.5 dB/V | 30 dB SPL |
| 64 Audio Fourte | 10 Ω | 134.0 dB/V | 30 dB SPL |
| Shure SE535 | 36 Ω | 133.4 dB/V | 29 dB SPL |
| Shure AONIC 5 | 36 Ω | 133.4 dB/V | 29 dB SPL |
| Campfire Audio Andromeda 2023 | 6.375 Ω | 132.6 dB/V | 29 dB SPL |
At 10 Ω output impedance, the one-eighth rule says this source suits headphones of 80.0Ω and above. 342 of the 396 models here fall below that, mostly multi-driver in-ears, where the mismatch tilts the frequency response audibly rather than subtly.
The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.
$699 · 55 mW into 32Ω · 11 Ω out
Compare →$699 · 471 mW into 32Ω · 1 Ω out
Compare →$649 · 1.2 W into 32Ω · 0.5 Ω out
Compare →$599 · 118 mW into 32Ω · 50 Ω out
Compare →$599 · 1.2 W into 32Ω · 1 Ω out
Compare →$599 · 187 mW into 32Ω · 33 Ω out
Compare →Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher.