The Beyerdynamic DT 1990 Pro (250Ω) is 250Ω at 102.0 dB/mW; the Dan Clark Audio AEON 2 Closed is 13Ω at 90.0 dB/mW. This page is only about what they ask of an amplifier — not how they sound, which no specification on either sheet can tell you.
The Dan Clark Audio AEON 2 Closed needs 12.0 dB more than the Beyerdynamic DT 1990 Pro (250Ω) to reach the same loudness — 10 mW against 0.63 mW.
| Specification | Beyerdynamic DT 1990 Pro (250Ω) | Dan Clark Audio AEON 2 Closed |
|---|---|---|
| Impedance | 250 Ω | 13 Ω |
| Sensitivity | 102.0 dB/mW | 90.0 dB/mW |
| Sensitivity (voltage) | 108.0 dB/V | 108.9 dB/V |
| Power for 100 dB | 0.63 mW | 10 mW |
| Voltage for 100 dB | 0.40 V | 0.36 V |
| Current for 100 dB | 1.6 mA | 27.7 mA |
| Highest source impedance that leaves them alone (one-eighth rule) | 31.25 Ω | 1.62 Ω |
| Sources that reach 100 dB out of 280 | 280 | 272 |
8 of the 280 sources have the power for the Beyerdynamic DT 1990 Pro (250Ω) but not for the Dan Clark Audio AEON 2 Closed — Apple USB-C dongle (EU), Zoom AMS-22, Audient EVO 4, 5 more.
24 sources are low enough in output impedance for the Beyerdynamic DT 1990 Pro (250Ω) under the one-eighth rule but not for the Dan Clark Audio AEON 2 Closed (FiiO KA13, Zoom AMS-22, Arturia MiniFuse 2, 21 more).
272 of the 280 sources here reach 100 dB on both. That count is about power only — the output-impedance and hiss lines above are separate questions, and a source can pass this one and fail those.
Each model has a page of its own with the full source list, the hiss estimate and the provenance of every figure above: Beyerdynamic DT 1990 Pro (250Ω) and Dan Clark Audio AEON 2 Closed. Every figure on this page comes from what Beyerdynamic and Dan Clark Audio published, or is derived from it — what Beyerdynamic publishes and what Dan Clark Audio publishes, both counted.