The Audient iD24 is an audio interface at $599. It delivers 119 mW into 32Ω and 58 mW into 300Ω, which ranks it 202 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 531 of the 567 dynamic and planar headphones catalogued here, enough but not generous on 26, only marginal on 4 and not enough power for 6. Power is published at 30Ω, 60Ω, 600Ω; the rest of the table is derived from those figures. Output noise is not published, so the hiss estimate cannot be run.
This entry does not repeat the manufacturer's printed power figures. It uses 117 mW into 30Ω, 153 mW into 60Ω, 52 mW into 600Ω.
The power figures above are not the ones Audient prints, and that is deliberate. Audient publishes a peak voltage, an RMS voltage and a power figure on the same line — and the power is twice what the RMS voltage gives. On the iD4 MkII, 1.827 Vrms into 30Ω is 111 mW; Audient prints 223 mW. The same factor runs through all nine published points across the iD4 MkII, iD24 and EVO 4 — six of them within 1% of 2.00 and the other three 3–6% below it, the sort of spread two- and three-digit printed figures produce — so it is systematic rather than a slip on one line. Two things would produce it: squaring the peak voltage instead of the RMS one, or quoting both channels added together. The arithmetic cannot tell those apart — Vpk²/R and 2·Vrms²/R are the same number — and Audient does not say which it is. So this database does not guess at the cause. It applies one rule that follows straight from their own document: the power here is Vrms²/R computed from the RMS voltage Audient prints beside each load. That comes out at half the printed power, give or take the rounding of their figures. The voltages themselves are untouched, and they are what the matching maths on this page relies on.
Derived rows hold output voltage steady, as an amplifier does (method).
Source: support.audient.com.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 30 Ω | 117 mW | Recomputed | worked out here from the voltage the manufacturer printed on the same line, because its own power figure does not follow from it |
| 32 Ω | 119 mW | Derived | worked out between two published loads, holding output voltage linear between them |
| 60 Ω | 153 mW | Recomputed | worked out here from the voltage the manufacturer printed on the same line, because its own power figure does not follow from it |
| 150 Ω | 80 mW | Derived | worked out between two published loads, holding output voltage linear between them |
| 300 Ω | 58 mW | Derived | worked out between two published loads, holding output voltage linear between them |
| 600 Ω | 52 mW | Recomputed | worked out here from the voltage the manufacturer printed on the same line, because its own power figure does not follow from it |
Easiest to hardest to drive, with headroom at a 100 dB SPL peak.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +29 dB | Comfortable damping |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +25 dB | Comfortable damping |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +25 dB | Comfortable damping |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +28 dB | Comfortable damping |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +22 dB | Comfortable damping |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +22 dB | Comfortable damping |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +20 dB | Comfortable damping |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +28 dB | Comfortable damping |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +24 dB | Comfortable damping |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +26 dB | Comfortable damping |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +22 dB | Comfortable damping |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +25 dB | Comfortable damping |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +21 dB | Comfortable damping |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +9 dB | Enough damping |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +14 dB | Comfortable damping |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +20 dB | Comfortable damping |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +20 dB | Comfortable damping |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +21 dB | Comfortable damping |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +22 dB | Comfortable damping |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +19 dB | Comfortable damping |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +20 dB | Comfortable damping |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +10 dB | Comfortable damping |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +15 dB | Comfortable damping |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +7 dB | Enough damping |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +7 dB | Enough damping |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +20 dB | Comfortable damping |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +11 dB | Comfortable damping |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +13 dB | Comfortable damping |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +10 dB | Enough damping |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +13 dB | Comfortable damping |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +15 dB | Comfortable damping |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +17 dB | Comfortable damping |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +15 dB | Comfortable damping |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +14 dB | Comfortable damping |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +14 dB | Comfortable damping |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +15 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +14 dB | Comfortable damping |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +9 dB | Enough damping |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | +9 dB | Enough damping |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | +5 dB | Enough damping |
The manufacturer does not publish an output noise figure for this source, so there is no hiss estimate here. If you have a measured figure, the hiss calculator takes it.
At 50Ω output impedance, the one-eighth rule says this source suits headphones of 400.0Ω and above. 561 of the 567 models here fall below that. That is most of the database, not a niche — 222 of them multi-driver in-ears, and the mismatch tilts the frequency response audibly rather than subtly.
| Source | Type | Price | Into 300 Ω | Output impedance | Output noise |
|---|---|---|---|---|---|
| FiiO KA11 | USB dongle | $29 | 22 mW | 0.7 Ω | 1.7 µV |
| FiiO BTR13 | Bluetooth receiver | $59 | 10.0 mW | 0.6 Ω | 1.0 µV |
| FiiO KA3 | USB dongle | $79 | 14 mW | 0.5 Ω | 1.7 µV |
Of the 280 sources here, 68 do everything the Audient iD24 does as a headphone output: reach 100 dB on every headphone it reaches and stay inside the one-eighth rule wherever it does. The cheapest of them is the FiiO KA11 at $29, against this one’s $599 — $570 less, and a USB dongle rather than an audio interface.
The cheaper one also publishes a noise figure, which the Audient iD24 does not — so on the paperwork it is ahead, not merely level.
This counts the headphone output only; inputs, converters, the volume control and the build are outside it.
$599 · 1.2 W into 32Ω · 1 Ω out
Compare →$599 · 187 mW into 32Ω · 33 Ω out
Compare →$589 · 84 mW into 32Ω · output Ω not published
Compare →$570 · 55 mW into 32Ω · 11 Ω out
Compare →$649 · 1.2 W into 32Ω · 0.5 Ω out
Compare →$499 · 333 mW into 32Ω · output Ω not published
Compare →Compared with its closest rivals: vs Apogee Duet 3 · vs Arturia AudioFuse Rev2 · vs Audient EVO 16 · vs Audient EVO 4 · vs Audient EVO 8 · vs Audient Horizon 8P · vs Audient iD44 MkII · vs Audient iD48 · vs Audient NERO · vs Audient ORIA · vs IK Multimedia AXE I/O · vs MOTU UltraLite-mk5 · vs SSL 12 · vs Universal Audio Volt 476P.