ART HeadAmp 4 Pro: power output and what it will drive

The ART HeadAmp 4 Pro is a desktop amplifier at $130. It delivers 98 mW into 32Ω and 33 mW into 300Ω, which ranks it 133 of 156 for raw power among the sources in this database.

Measured at 100 dB SPL it has comfortable headroom on 361 of the 396 dynamic and planar headphones catalogued here, enough but not generous on 32, only marginal on 1 and not enough power for 2.

What it actually puts out

TypeDesktop amplifier
Price$130
Power into 32 Ω98 mW
Power into 150 Ω67 mW
Power into 300 Ω33 mW
Power into 600 Ω17 mW
Output impedance47.0 Ω
Output noisenot published
Comfortable headroom on 361 of 396 headphones (91%) · short of power on 2

Where these numbers come from

The manufacturer publishes 100 mW into 30Ω, 100 mW into 100Ω. Everything else in the table above is worked out from those figures, and this table says which is which.

Derivation holds output voltage steady between and beyond the published loads rather than output power, because that is what an amplifier actually does. The full method is written up here.

Source: artproaudio.com.

LoadPowerStatusHow it was arrived at
30 Ω100 mWPublishedthe manufacturer publishes this figure at this exact load
32 Ω98 mWDerivedworked out between two published loads, holding output voltage linear between them
100 Ω100 mWPublishedthe manufacturer publishes this figure at this exact load
150 Ω67 mWDerivedbeyond the published loads, holding output voltage constant — which understates rather than flatters
300 Ω33 mWDerivedbeyond the published loads, holding output voltage constant — which understates rather than flatters
600 Ω17 mWDerivedbeyond the published loads, holding output voltage constant — which understates rather than flatters

Against 41 well-known headphones

Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.

These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and HE-6se and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.

HeadphoneImpedancedB/mWNeedsHeadroomVerdict
Shure SE8469 Ω114.00.04 mW+29 dBComfortable damping
64 Audio U12t13 Ω108.00.16 mW+24 dBComfortable damping
Shure SE21517 Ω107.00.20 mW+25 dBComfortable damping
Moondrop Aria32 Ω107.10.19 mW+27 dBComfortable damping
Audeze LCD-X 202120 Ω103.00.50 mW+21 dBComfortable damping
Truthear Hexa21 Ω103.10.49 mW+22 dBComfortable damping
Sennheiser HD 25 (1-II)70 Ω108.00.16 mW+28 dBComfortable damping
Sennheiser IE 20018 Ω101.60.69 mW+19 dBComfortable damping
Sony MDR-750663 Ω106.00.25 mW+26 dBComfortable damping
Meze 99 Classics32 Ω103.00.50 mW+23 dBComfortable damping
Focal Clear MG55 Ω104.00.40 mW+24 dBComfortable damping
Philips SHP950032 Ω101.00.79 mW+21 dBComfortable damping
Focal Utopia80 Ω104.00.40 mW+24 dBComfortable damping
Meze Empyrean32 Ω100.01.0 mW+20 dBComfortable damping
Campfire Audio Andromeda 20209 Ω94.04.0 mW+9 dBEnough damping
Etymotic ER2SE15 Ω96.02.5 mW+13 dBComfortable damping
AKG K37132 Ω99.11.2 mW+19 dBComfortable damping
Audio-Technica ATH-M50X38 Ω99.01.3 mW+19 dBComfortable damping
Beyerdynamic DT 900 Pro X48 Ω100.01.0 mW+20 dBComfortable damping
Audeze LCD-2 Classic70 Ω101.00.79 mW+21 dBComfortable damping
Grado SR80x38 Ω98.01.6 mW+18 dBComfortable damping
Sennheiser HD 560S120 Ω100.80.83 mW+20 dBComfortable damping
HiFiMAN Edition XS18 Ω92.06.3 mW+10 dBEnough damping
HiFiMAN Arya Stealth32 Ω94.04.0 mW+14 dBComfortable damping
Dan Clark Audio AEON 2 Closed13 Ω90.010 mW+6 dBEnough damping
Audeze LCD-514 Ω90.010 mW+7 dBEnough damping
HiFiMAN Sundara37 Ω94.04.0 mW+14 dBComfortable damping
Beyerdynamic DT 1990 Pro (250Ω)250 Ω102.00.63 mW+18 dBComfortable damping
HiFiMAN HE400se25 Ω91.07.9 mW+10 dBComfortable damping
Dan Clark Audio Stealth23 Ω90.010 mW+9 dBEnough damping
Fostex T50RP MK350 Ω92.06.3 mW+12 dBComfortable damping
AKG K70262 Ω92.95.1 mW+13 dBComfortable damping
ZMF Verite Closed300 Ω99.01.3 mW+14 dBComfortable damping
Sennheiser HD 650300 Ω97.81.7 mW+13 dBComfortable damping
Sennheiser HD 800S300 Ω96.82.1 mW+12 dBComfortable damping
Beyerdynamic DT 770 Pro (250Ω)250 Ω96.02.5 mW+12 dBComfortable damping
Audio-Technica ATH-R70X470 Ω98.01.6 mW+11 dBComfortable
ZMF Atrium300 Ω96.02.5 mW+11 dBComfortable damping
Abyss AB-1266 Phi TC50 Ω88.016 mW+8 dBEnough damping
Sennheiser HD 600300 Ω91.86.6 mW+7 dBEnough damping
HiFiMAN Susvara60 Ω83.050 mW+3 dBMarginal damping

Will it hiss?

The manufacturer does not publish an output noise figure for this source, so the hiss estimate that runs on every other page here cannot be run on this one. Rather than substitute a plausible number, this page leaves the question open.

If you know the noise figure from a measurement you trust, the hiss calculator takes it directly and tells you where that noise lands in your own in-ears.

Output impedance and the one-eighth rule

At 47.0 Ω output impedance, the one-eighth rule says this source suits headphones of 376.0Ω and above. 390 of the 396 models here fall below that, mostly multi-driver in-ears, where the mismatch tilts the frequency response audibly rather than subtly.

The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.

Other desktop amplifiers at a similar price

Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher.