The Schiit Magni Unity is a desktop amplifier at $119. It delivers 2.5 W into 32Ω and 415 mW into 300Ω, which ranks it 33 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 566 of the 567 dynamic and planar headphones catalogued here and enough but not generous on 1. Schiit's entry amp with a DAC folded in. Published power at five loads, which almost nobody at this price does.
The manufacturer publishes 3.0 W into 16Ω, 2.5 W into 32Ω, 1.5 W into 50Ω, 415 mW into 300Ω, 220 mW into 600Ω. The rest of the table is worked out from those.
Derived rows hold output voltage steady, as an amplifier does (method).
The noise figure above is converted, not read. Schiit does not print microvolts for this one. It prints a signal-to-noise ratio together with the voltage that ratio is referenced to, in the same block of the same table: “Low Gain: Greater than 122dB, referenced to 2V RMS”. From those two numbers the noise follows by one division — 2.0 V ÷ 10(122/20) — which is where the 1.59 µV comes from, at the low gain setting. The ratio is printed as a bound rather than a measurement, so the figure is a ceiling: the noise is at most that, and may be lower. This is the same situation as a sensitivity printed per volt instead of per milliwatt: published, but in a convention nobody converts.
Source: schiit.com.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 16 Ω | 3.0 W | Published | the manufacturer publishes this figure at this exact load |
| 32 Ω | 2.5 W | Published | the manufacturer publishes this figure at this exact load |
| 50 Ω | 1.5 W | Published | the manufacturer publishes this figure at this exact load |
| 150 Ω | 622 mW | Derived | worked out between two published loads, holding output voltage linear between them |
| 300 Ω | 415 mW | Published | the manufacturer publishes this figure at this exact load |
| 600 Ω | 220 mW | Published | the manufacturer publishes this figure at this exact load |
Easiest to hardest to drive, with headroom at a 100 dB SPL peak.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +46 dB | Comfortable audible hiss |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +42 dB | Comfortable audible hiss |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +42 dB | Comfortable faint hiss |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +41 dB | Comfortable faint hiss |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +37 dB | Comfortable faint hiss |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +37 dB | Comfortable faint hiss |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +36 dB | Comfortable faint hiss |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +37 dB | Comfortable faint hiss |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +37 dB | Comfortable faint hiss |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +35 dB | Comfortable faint hiss |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +35 dB | Comfortable |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +34 dB | Comfortable |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +34 dB | Comfortable |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +26 dB | Comfortable |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +30 dB | Comfortable |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +33 dB | Comfortable |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +32 dB | Comfortable |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +32 dB | Comfortable |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +31 dB | Comfortable |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +31 dB | Comfortable |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +29 dB | Comfortable |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +27 dB | Comfortable |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +28 dB | Comfortable |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +24 dB | Comfortable |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +24 dB | Comfortable |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +29 dB | Comfortable |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +25 dB | Comfortable |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +26 dB | Comfortable |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +24 dB | Comfortable |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +24 dB | Comfortable |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +24 dB | Comfortable |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +25 dB | Comfortable |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +24 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +23 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +23 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +22 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +22 dB | Comfortable |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +20 dB | Comfortable |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | +18 dB | Comfortable |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | +14 dB | Comfortable |
At 1.59 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.
This one hisses. With the most sensitive in-ears in the database its own noise lands around 25 dB SPL, which you will hear between tracks and in quiet passages.
| In-ear | Impedance | Sensitivity | Hiss level |
|---|---|---|---|
| Simgot EA500 | 16 Ω | 141.0 dB/V | 25 dB SPL |
| Tanchjim EA FORCE | 17 Ω | 137.7 dB/V | 22 dB SPL |
| Shure SE846 | 9 Ω | 134.5 dB/V | 18 dB SPL |
| Campfire Audio Clara | 13.3 Ω | 134.1 dB/V | 18 dB SPL |
| 64 Audio Fourte | 10 Ω | 134.0 dB/V | 18 dB SPL |
At 0.1Ω output impedance this source satisfies the one-eighth rule with every headphone in the database, down to the 3Ω in-ears. Nothing here will have its frequency response shaped by the source.
Nothing cheaper in this database does everything the Schiit Magni Unity does. Of the 280 sources here, not one at a lower price will reach 100 dB on every headphone it reaches, stay inside the one-eighth rule wherever it does and stay under the audible-hiss threshold wherever it does. That is a plain result and it is not the usual one — most of the catalogue has something cheaper that matches it.
This counts the headphone output only; inputs, converters, the volume control and the build are outside it.
$109 · 2.0 W into 32Ω · 0.2 Ω out
Compare →$129 · 2.6 W into 32Ω · 0.7 Ω out
Compare →$130 · 98 mW into 32Ω · 47.0 Ω out
Compare →$100 · 190 mW into 32Ω · output Ω not published
Compare →$99 · 1.0 W into 32Ω · 0.7 Ω out
Compare →$99 · 2.4 W into 32Ω · 0.25 Ω out
Compare →Compared with its closest rivals: vs ART HeadAmp 4 Pro · vs JDS Labs Atom Amp 2 · vs Schiit Lyr 5 · vs Schiit Lyr+ · vs Schiit Magni Piety · vs Schiit Mjolnir 3 · vs Schiit Valhalla 2 · vs Schiit Valhalla 3 · vs Schiit Vali 2+ · vs Schiit Vali 3.