The FiiO BTR7 is a Bluetooth receiver at $200. It delivers 320 mW into 32Ω and 50 mW into 300Ω, which ranks it 34 of 53 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 304 of the 310 dynamic and planar headphones catalogued here and enough but not generous on 6. Balanced 4.4 mm, screen, wireless charging.
Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.
These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and HE-6se and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.
| Headphone | Impedance | dB/mW | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 | 0.04 mW | +34 dB | Comfortable audible hiss |
| 64 Audio U12t | 13 Ω | 108.0 | 0.16 mW | +29 dB | Comfortable audible hiss |
| Shure SE215 | 17 Ω | 107.0 | 0.20 mW | +29 dB | Comfortable audible hiss |
| Moondrop Aria | 32 Ω | 107.0 | 0.20 mW | +32 dB | Comfortable audible hiss |
| Sennheiser IE 200 | 18 Ω | 104.0 | 0.40 mW | +27 dB | Comfortable audible hiss |
| Audeze LCD-X 2021 | 20 Ω | 103.0 | 0.50 mW | +26 dB | Comfortable audible hiss |
| Sennheiser HD 25 (1-II) | 70 Ω | 108.0 | 0.16 mW | +30 dB | Comfortable audible hiss |
| Sony MDR-7506 | 63 Ω | 106.0 | 0.25 mW | +29 dB | Comfortable faint hiss |
| Meze 99 Classics | 32 Ω | 103.0 | 0.50 mW | +28 dB | Comfortable faint hiss |
| Focal Clear MG | 55 Ω | 104.0 | 0.40 mW | +27 dB | Comfortable faint hiss |
| Philips SHP9500 | 32 Ω | 101.0 | 0.79 mW | +26 dB | Comfortable faint hiss |
| Truthear Hexa | 21 Ω | 99.0 | 1.3 mW | +22 dB | Comfortable faint hiss |
| Focal Utopia | 80 Ω | 104.0 | 0.40 mW | +26 dB | Comfortable faint hiss |
| Meze Empyrean | 32 Ω | 100.0 | 1.0 mW | +25 dB | Comfortable faint hiss |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 | 4.0 mW | +14 dB | Comfortable faint hiss |
| Etymotic ER2SE | 15 Ω | 96.0 | 2.5 mW | +18 dB | Comfortable faint hiss |
| AKG K371 | 32 Ω | 99.0 | 1.3 mW | +24 dB | Comfortable faint hiss |
| Grado SR80x | 32 Ω | 99.0 | 1.3 mW | +24 dB | Comfortable faint hiss |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 | 1.3 mW | +23 dB | Comfortable faint hiss |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 | 1.0 mW | +24 dB | Comfortable faint hiss |
| Audeze LCD-2 Classic | 70 Ω | 101.0 | 0.79 mW | +23 dB | Comfortable faint hiss |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 92.0 | 6.3 mW | +13 dB | Comfortable faint hiss |
| Sennheiser HD 560S | 120 Ω | 101.0 | 0.79 mW | +22 dB | Comfortable faint hiss |
| HiFiMAN Edition XS | 18 Ω | 92.0 | 6.3 mW | +15 dB | Comfortable faint hiss |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 | 4.0 mW | +19 dB | Comfortable |
| Audeze LCD-5 | 14 Ω | 90.0 | 10 mW | +11 dB | Comfortable |
| HiFiMAN Sundara | 37 Ω | 94.0 | 4.0 mW | +19 dB | Comfortable |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 | 0.63 mW | +20 dB | Comfortable |
| HiFiMAN HE400se | 32 Ω | 91.0 | 7.9 mW | +16 dB | Comfortable |
| AKG K702 | 62 Ω | 93.0 | 5.0 mW | +16 dB | Comfortable |
| Fostex T50RP MK3 | 50 Ω | 92.0 | 6.3 mW | +15 dB | Comfortable |
| ZMF Verite Closed | 300 Ω | 99.0 | 1.3 mW | +16 dB | Comfortable |
| Dan Clark Audio Stealth | 23 Ω | 87.0 | 20 mW | +11 dB | Comfortable |
| Sennheiser HD 650 | 300 Ω | 98.0 | 1.6 mW | +15 dB | Comfortable |
| ZMF Atrium | 300 Ω | 98.0 | 1.6 mW | +15 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 99.0 | 1.3 mW | +14 dB | Comfortable |
| Sennheiser HD 600 | 300 Ω | 97.0 | 2.0 mW | +14 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 97.0 | 2.0 mW | +14 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 | 2.5 mW | +14 dB | Comfortable |
| Abyss AB-1266 Phi TC | 42 Ω | 88.0 | 16 mW | +12 dB | Comfortable |
| HiFiMAN Susvara | 60 Ω | 83.0 | 50 mW | +6 dB | Enough |
At 3.5 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.
This one hisses. With the most sensitive in-ears in the database its own noise lands around 25 dB SPL, which you will hear between tracks and in quiet passages.
| In-ear | Impedance | Sensitivity | Hiss level |
|---|---|---|---|
| Shure SE846 | 9 Ω | 134.5 dB/V | 25 dB SPL |
| Moondrop Quarks | 16 Ω | 131.0 dB/V | 22 dB SPL |
| 64 Audio U4s | 12 Ω | 127.2 dB/V | 18 dB SPL |
| 64 Audio U6t | 12 Ω | 127.2 dB/V | 18 dB SPL |
| Audeze LCD-i3 | 20 Ω | 127.0 dB/V | 18 dB SPL |
At 0.5Ω output impedance this source satisfies the one-eighth rule with every headphone in the database, down to the 8Ω in-ears. Nothing here will have its frequency response shaped by the source.
The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.
$200 · 400 mW into 32Ω · 0.3Ω out
Compare →$200 · 650 mW into 32Ω · 0.4Ω out
Compare →$220 · 180 mW into 32Ω · 0.5Ω out
Compare →$130 · 230 mW into 32Ω · 0.6Ω out
Compare →$110 · 240 mW into 32Ω · 0.4Ω out
Compare →$110 · 340 mW into 32Ω · 0.5Ω out
Compare →Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher.