The iBasso DX270 is a portable player at $1149. It delivers 416 mW into 32Ω and 44 mW into 300Ω, which ranks it 116 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 550 of the 567 dynamic and planar headphones catalogued here, enough but not generous on 14, only marginal on 2 and not enough power for 1. Power is published at 32Ω; the rest of the table is derived from those figures. Output noise is not published, so the hiss estimate cannot be run.
The manufacturer publishes 416 mW into 32Ω. The rest of the table is worked out from those.
The balanced output is rated separately: 1.6 W into 32Ω through the 4.4mm jack.
Derived rows hold output voltage steady, as an amplifier does (method).
Source: ibasso.com, ibasso.com.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 32 Ω | 416 mW | Published | the manufacturer publishes this figure at this exact load |
| 150 Ω | 89 mW | Derived | beyond the published loads, holding output voltage constant — which understates rather than flatters |
| 300 Ω | 44 mW | Derived | beyond the published loads, holding output voltage constant — which understates rather than flatters |
| 600 Ω | 22 mW | Derived | beyond the published loads, holding output voltage constant — which understates rather than flatters |
Easiest to hardest to drive, with headroom at a 100 dB SPL peak.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +35 dB | Comfortable |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +30 dB | Comfortable |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +30 dB | Comfortable |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +33 dB | Comfortable |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +27 dB | Comfortable |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +27 dB | Comfortable |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +25 dB | Comfortable |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +29 dB | Comfortable |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +29 dB | Comfortable |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +28 dB | Comfortable |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +27 dB | Comfortable |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +26 dB | Comfortable |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +26 dB | Comfortable |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +15 dB | Comfortable |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +19 dB | Comfortable |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +25 dB | Comfortable |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +24 dB | Comfortable |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +24 dB | Comfortable |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +24 dB | Comfortable |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +23 dB | Comfortable |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +21 dB | Comfortable |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +16 dB | Comfortable |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +20 dB | Comfortable |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +12 dB | Comfortable |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +13 dB | Comfortable |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +19 dB | Comfortable |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +16 dB | Comfortable |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +18 dB | Comfortable |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +15 dB | Comfortable |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +16 dB | Comfortable |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +16 dB | Comfortable |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +15 dB | Comfortable |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +14 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +13 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +13 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +13 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +12 dB | Comfortable |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +12 dB | Comfortable |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | +8 dB | Enough |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | +6 dB | Enough |
The manufacturer does not publish an output noise figure for this source, so there is no hiss estimate here. If you have a measured figure, the hiss calculator takes it.
At 0.5Ω output impedance, the one-eighth rule says this source suits headphones of 4.0Ω and above. 1 of the 567 models here falls below that. The one model below that line is the Symphonium Titan, and the mismatch tilts the frequency response audibly rather than subtly.
| Source | Type | Price | Into 300 Ω | Output impedance | Output noise |
|---|---|---|---|---|---|
| Schiit Magni Heresy | desktop amplifier | $99 | 410 mW | 0.25 Ω | 1.5 µV unverified |
| Schiit Magni Unity | desktop amplifier | $119 | 415 mW | 0.1 Ω | 1.59 µV |
| Schiit Vali 3 | desktop amplifier | $149 | 400 mW | 0.5 Ω | 2.83 µV |
Of the 280 sources here, 35 do everything the iBasso DX270 does as a headphone output: reach 100 dB on every headphone it reaches and stay inside the one-eighth rule wherever it does. The cheapest of them is the Schiit Magni Heresy at $99, against this one’s $1149 — $1050 less, and a desktop amplifier rather than a portable player.
This counts the headphone output only; inputs, converters, the volume control and the build are outside it.
$1200 · 300 mW into 32Ω · output Ω not published
Compare →$1249 · 406 mW into 32Ω · 1.0 Ω out
Compare →$999 · 180 mW into 32Ω · 0.4 Ω out
Compare →$949 · 262 mW into 32Ω · 0.6 Ω out
Compare →$949 · 262 mW into 32Ω · 0.6 Ω out
Compare →$919 · 240 mW into 32Ω · 1.0 Ω out
Compare →Compared with its closest rivals: vs Astell&Kern SR35 · vs FiiO M15S · vs iBasso DX320 · vs Lotoo PAW 6000 · vs Shanling M7.