Topping A30 Pro: power output and what it will drive

The Topping A30 Pro is a desktop amplifier at $249. It delivers 5.5 W into 32Ω and 840 mW into 300Ω, which ranks it 11 of 88 for raw power among the sources in this database.

Measured at 100 dB SPL it has comfortable headroom on 310 of the 310 dynamic and planar headphones catalogued here. Three-channel balanced design. Published figures describe the balanced output.

What it actually puts out

TypeDesktop amplifier
Price$249
Power into 32 Ω5.5 W
Power into 150 Ω1.4 W
Power into 300 Ω840 mW
Power into 600 Ω420 mW
Output impedance0.1 Ω
Output noise0.3 µV
Comfortable headroom on 310 of 310 headphones (100%)

Where these numbers come from

The manufacturer publishes 6.0 W into 16Ω, 5.5 W into 32Ω, 840 mW into 300Ω. Everything else in the table above is worked out from those figures, and this table says which is which.

The published figures describe the balanced output. A single-ended jack on the same unit will put out less — usually about half the voltage and a quarter of the power.

Derivation holds output voltage steady between and beyond the published loads rather than output power, because that is what an amplifier actually does. The full method is written up here.

Source: audiophonics.fr, apos.audio, toppingaudio.com.

LoadPowerStatusHow it was arrived at
16 Ω6.0 WPublishedthe manufacturer publishes this figure at this exact load
32 Ω5.5 WPublishedthe manufacturer publishes this figure at this exact load
150 Ω1.4 WDerivedworked out between two published loads, holding output voltage linear between them
300 Ω840 mWPublishedthe manufacturer publishes this figure at this exact load
600 Ω420 mWDerivedbeyond the published loads, holding output voltage constant — which understates rather than flatters

Against 41 well-known headphones

Ordered from easiest to hardest to drive. Headroom is measured at 100 dB SPL, which is louder than almost anyone listens — a small negative number means the source still plays loud, just without reserve for peaks.

These figures come from each manufacturer's own sensitivity rating. A handful of planars — the HiFiMAN Susvara and HE-6se and the Abyss AB-1266 in particular — are widely reported to need far more than their published sensitivity implies, so treat a bare pass on those as optimistic rather than settled.

HeadphoneImpedancedB/mWNeedsHeadroomVerdict
Shure SE8469 Ω114.00.04 mW+49 dBComfortable faint hiss
64 Audio U12t13 Ω108.00.16 mW+45 dBComfortable
Shure SE21517 Ω107.00.20 mW+45 dBComfortable
Moondrop Aria32 Ω107.00.20 mW+44 dBComfortable
Sennheiser IE 20018 Ω104.00.40 mW+42 dBComfortable
Audeze LCD-X 202120 Ω103.00.50 mW+41 dBComfortable
Sennheiser HD 25 (1-II)70 Ω108.00.16 mW+42 dBComfortable
Sony MDR-750663 Ω106.00.25 mW+41 dBComfortable
Meze 99 Classics32 Ω103.00.50 mW+40 dBComfortable
Focal Clear MG55 Ω104.00.40 mW+39 dBComfortable
Philips SHP950032 Ω101.00.79 mW+38 dBComfortable
Truthear Hexa21 Ω99.01.3 mW+37 dBComfortable
Focal Utopia80 Ω104.00.40 mW+38 dBComfortable
Meze Empyrean32 Ω100.01.0 mW+37 dBComfortable
Campfire Audio Andromeda 20209 Ω94.04.0 mW+29 dBComfortable
Etymotic ER2SE15 Ω96.02.5 mW+34 dBComfortable
AKG K37132 Ω99.01.3 mW+36 dBComfortable
Grado SR80x32 Ω99.01.3 mW+36 dBComfortable
Audio-Technica ATH-M50X38 Ω99.01.3 mW+36 dBComfortable
Beyerdynamic DT 900 Pro X48 Ω100.01.0 mW+36 dBComfortable
Audeze LCD-2 Classic70 Ω101.00.79 mW+35 dBComfortable
Dan Clark Audio AEON 2 Closed13 Ω92.06.3 mW+29 dBComfortable
Sennheiser HD 560S120 Ω101.00.79 mW+33 dBComfortable
HiFiMAN Edition XS18 Ω92.06.3 mW+30 dBComfortable
HiFiMAN Arya Stealth32 Ω94.04.0 mW+31 dBComfortable
Audeze LCD-514 Ω90.010 mW+27 dBComfortable
HiFiMAN Sundara37 Ω94.04.0 mW+31 dBComfortable
Beyerdynamic DT 1990 Pro (250Ω)250 Ω102.00.63 mW+32 dBComfortable
HiFiMAN HE400se32 Ω91.07.9 mW+28 dBComfortable
AKG K70262 Ω93.05.0 mW+28 dBComfortable
Fostex T50RP MK350 Ω92.06.3 mW+28 dBComfortable
ZMF Verite Closed300 Ω99.01.3 mW+28 dBComfortable
Dan Clark Audio Stealth23 Ω87.020 mW+24 dBComfortable
Sennheiser HD 650300 Ω98.01.6 mW+27 dBComfortable
ZMF Atrium300 Ω98.01.6 mW+27 dBComfortable
Audio-Technica ATH-R70X470 Ω99.01.3 mW+26 dBComfortable
Sennheiser HD 600300 Ω97.02.0 mW+26 dBComfortable
Sennheiser HD 800S300 Ω97.02.0 mW+26 dBComfortable
Beyerdynamic DT 770 Pro (250Ω)250 Ω96.02.5 mW+26 dBComfortable
Abyss AB-1266 Phi TC42 Ω88.016 mW+24 dBComfortable
HiFiMAN Susvara60 Ω83.050 mW+18 dBComfortable

Will it hiss?

At 0.3 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.

Faint hiss with the most sensitive in-ears. Around 4 dB SPL in the worst case here — audible in a silent room, gone as soon as music plays.

In-earImpedanceSensitivityHiss level
Shure SE8469 Ω134.5 dB/V4 dB SPL
Moondrop Quarks16 Ω131.0 dB/V1 dB SPL
64 Audio U4s12 Ω127.2 dB/V-3 dB SPL
64 Audio U6t12 Ω127.2 dB/V-3 dB SPL
Audeze LCD-i320 Ω127.0 dB/V-3 dB SPL

Output impedance and the one-eighth rule

At 0.1 Ω output impedance this source satisfies the one-eighth rule with every headphone in the database, down to the 8Ω in-ears. Nothing here will have its frequency response shaped by the source.

The rule is a rule of thumb, not physics: a source impedance below one eighth of the headphone's keeps the interaction under about 1 dB. The checker works it out for any pair.

Other desktop amplifiers at a similar price

Or put any two side by side in the source comparison tool, or run your own headphones through the amplifier matcher.