The Schiit Midgard is a desktop amplifier at $219. It delivers 4.8 W into 32Ω and 750 mW into 300Ω, which ranks it 12 of 280 for raw power among the sources in this database.
Measured at 100 dB SPL it has comfortable headroom on 566 of the 567 dynamic and planar headphones catalogued here and enough but not generous on 1. Balanced throughout, and Schiit states the same power from either jack — so the 4-pin XLR buys you noise rejection, not volume.
The manufacturer publishes 5.5 W into 16Ω, 4.8 W into 32Ω, 3.2 W into 50Ω, 750 mW into 300Ω, 375 mW into 600Ω. The rest of the table is worked out from those.
The balanced output is rated separately: 4.8 W into 32Ω through the XLR4 jack.
Derived rows hold output voltage steady, as an amplifier does (method).
The noise figure above is converted, not read. Schiit does not print microvolts for this one. It prints a signal-to-noise ratio together with the voltage that ratio is referenced to, in the same block of the same table: “Low Gain: Greater than 128dB, referenced to 4V RMS”. From those two numbers the noise follows by one division — 4.0 V ÷ 10(128/20) — which is where the 1.59 µV comes from, at the low gain setting. The ratio is printed as a bound rather than a measurement, so the figure is a ceiling: the noise is at most that, and may be lower. This is the same situation as a sensitivity printed per volt instead of per milliwatt: published, but in a convention nobody converts.
Source: schiit.com.
| Load | Power | Status | How it was arrived at |
|---|---|---|---|
| 16 Ω | 5.5 W | Published | the manufacturer publishes this figure at this exact load |
| 32 Ω | 4.8 W | Published | the manufacturer publishes this figure at this exact load |
| 50 Ω | 3.2 W | Published | the manufacturer publishes this figure at this exact load |
| 150 Ω | 1.2 W | Derived | worked out between two published loads, holding output voltage linear between them |
| 300 Ω | 750 mW | Published | the manufacturer publishes this figure at this exact load |
| 600 Ω | 375 mW | Published | the manufacturer publishes this figure at this exact load |
Easiest to hardest to drive, with headroom at a 100 dB SPL peak.
| Headphone | Impedance | Sensitivity | Needs | Headroom | Verdict |
|---|---|---|---|---|---|
| Shure SE846 | 9 Ω | 114.0 dB/mW | 0.04 mW | +49 dB | Comfortable audible hiss |
| 64 Audio U12t | 12.6 Ω | 108.0 dB/mW | 0.16 mW | +44 dB | Comfortable audible hiss |
| Shure SE215 | 17 Ω | 107.0 dB/mW | 0.20 mW | +44 dB | Comfortable faint hiss |
| Moondrop Aria | 32 Ω | 107.1 dB/mW | 0.19 mW | +44 dB | Comfortable faint hiss |
| Audeze LCD-X 2021 | 20 Ω | 103.0 dB/mW | 0.50 mW | +40 dB | Comfortable faint hiss |
| Truthear Hexa | 20.5 Ω | 103.1 dB/mW | 0.49 mW | +40 dB | Comfortable faint hiss |
| Sennheiser IE 200 | 18 Ω | 101.6 dB/mW | 0.69 mW | +39 dB | Comfortable faint hiss |
| Sony MDR-7506 | 63 Ω | 106.0 dB/mW | 0.25 mW | +40 dB | Comfortable faint hiss |
| Meze 99 Classics | 32 Ω | 103.0 dB/mW | 0.50 mW | +40 dB | Comfortable faint hiss |
| Focal Clear MG | 55 Ω | 104.0 dB/mW | 0.40 mW | +39 dB | Comfortable faint hiss |
| Philips SHP9500 | 32 Ω | 101.0 dB | 0.79 mW | +38 dB | Comfortable |
| Focal Utopia | 80 Ω | 104.0 dB/mW | 0.40 mW | +37 dB | Comfortable |
| Meze Empyrean | 32 Ω | 100.0 dB | 1.0 mW | +37 dB | Comfortable |
| Campfire Audio Andromeda 2020 | 9 Ω | 94.0 dB | 4.0 mW | +29 dB | Comfortable |
| Etymotic ER2SE | 15 Ω | 96.0 dB/mW | 2.5 mW | +33 dB | Comfortable |
| AKG K371 | 32 Ω | 99.1 dB/mW | 1.2 mW | +36 dB | Comfortable |
| Audio-Technica ATH-M50X | 38 Ω | 99.0 dB/mW | 1.3 mW | +35 dB | Comfortable |
| Beyerdynamic DT 900 Pro X | 48 Ω | 100.0 dB/mW | 1.0 mW | +35 dB | Comfortable |
| Audeze LCD-2 Classic | 70 Ω | 101.0 dB/mW | 0.79 mW | +35 dB | Comfortable |
| Grado SR80x | 38 Ω | 98.0 dB/mW | 1.6 mW | +34 dB | Comfortable |
| Sennheiser HD 560S | 120 Ω | 100.8 dB/mW | 0.83 mW | +32 dB | Comfortable |
| HiFiMAN Edition XS | 18 Ω | 92.0 dB | 6.3 mW | +29 dB | Comfortable |
| HiFiMAN Arya Stealth | 32 Ω | 94.0 dB | 4.0 mW | +31 dB | Comfortable |
| Dan Clark Audio AEON 2 Closed | 13 Ω | 90.0 dB/mW | 10 mW | +27 dB | Comfortable |
| Audeze LCD-5 | 14 Ω | 90.0 dB/mW | 10 mW | +27 dB | Comfortable |
| Beyerdynamic DT 1990 Pro (250Ω) | 250 Ω | 102.0 dB/mW | 0.63 mW | +31 dB | Comfortable |
| HiFiMAN HE400se | 25 Ω | 91.0 dB | 7.9 mW | +28 dB | Comfortable |
| HiFiMAN Sundara | 32 Ω | 92.0 dB | 6.3 mW | +29 dB | Comfortable |
| Dan Clark Audio Stealth | 23 Ω | 90.0 dB/mW | 10 mW | +27 dB | Comfortable |
| Fostex T50RP MK3 | 50 Ω | 92.0 dB/mW | 6.3 mW | +27 dB | Comfortable |
| AKG K702 | 62 Ω | 92.9 dB/mW | 5.1 mW | +27 dB | Comfortable |
| ZMF Verite Closed | 300 Ω | 99.0 dB/mW | 1.3 mW | +28 dB | Comfortable |
| Sennheiser HD 650 | 300 Ω | 97.8 dB/mW | 1.7 mW | +27 dB | Comfortable |
| Sennheiser HD 800S | 300 Ω | 96.8 dB/mW | 2.1 mW | +26 dB | Comfortable |
| Beyerdynamic DT 770 Pro (250Ω) | 250 Ω | 96.0 dB | 2.5 mW | +25 dB | Comfortable |
| Audio-Technica ATH-R70X | 470 Ω | 98.0 dB/mW | 1.6 mW | +25 dB | Comfortable |
| ZMF Atrium | 300 Ω | 96.0 dB/mW | 2.5 mW | +25 dB | Comfortable |
| Abyss AB-1266 Phi TC | 50 Ω | 88.0 dB/mW | 16 mW | +23 dB | Comfortable |
| Sennheiser HD 600 | 300 Ω | 91.8 dB/mW | 6.6 mW | +21 dB | Comfortable |
| HiFiMAN Susvara | 60 Ω | 83.0 dB | 50 mW | +17 dB | Comfortable |
At 1.59 µV of output noise, here is where that noise lands in the five most revealing in-ears in the database.
This one hisses. With the most sensitive in-ears in the database its own noise lands around 25 dB SPL, which you will hear between tracks and in quiet passages.
| In-ear | Impedance | Sensitivity | Hiss level |
|---|---|---|---|
| Simgot EA500 | 16 Ω | 141.0 dB/V | 25 dB SPL |
| Tanchjim EA FORCE | 17 Ω | 137.7 dB/V | 22 dB SPL |
| Shure SE846 | 9 Ω | 134.5 dB/V | 18 dB SPL |
| Campfire Audio Clara | 13.3 Ω | 134.1 dB/V | 18 dB SPL |
| 64 Audio Fourte | 10 Ω | 134.0 dB/V | 18 dB SPL |
At 0.1Ω output impedance this source satisfies the one-eighth rule with every headphone in the database, down to the 3Ω in-ears. Nothing here will have its frequency response shaped by the source.
| Source | Type | Price | Into 300 Ω | Output impedance | Output noise |
|---|---|---|---|---|---|
| Schiit Magni Unity | desktop amplifier | $119 | 415 mW | 0.1 Ω | 1.59 µV |
| Topping L30 II | desktop amplifier | $149 | 560 mW | 0.1 Ω | 0.3 µV |
| SMSL HO100 | desktop amplifier | $160 | 200 mW | <0.1 Ω | 1.3 µV |
Of the 280 sources here, 3 do everything the Schiit Midgard does as a headphone output: reach 100 dB on every headphone it reaches, stay inside the one-eighth rule wherever it does and stay under the audible-hiss threshold wherever it does. The cheapest of them is the Schiit Magni Unity at $119, against this one’s $219 — $100 less.
This counts the headphone output only; inputs, converters, the volume control and the build are outside it.
$229 · 2.8 W into 32Ω · 0.1 Ω out
Compare →$200 · 1.0 W into 32Ω · 0.6 Ω out
Compare →$200 · 1.8 W into 32Ω · 0.1 Ω out
Compare →$199 · 1.6 W into 32Ω · 0.5 Ω out
Compare →$249 · 5.5 W into 32Ω · 0.1 Ω out
Compare →$176 · 100 mW into 32Ω · output Ω not published
Compare →Compared with its closest rivals: vs Lake People G103-S Mk II · vs Schiit Lyr 5 · vs Schiit Lyr+ · vs Schiit Magni Piety · vs Schiit Mjolnir 3 · vs Schiit Valhalla 2 · vs Schiit Valhalla 3 · vs Schiit Vali 2+ · vs Schiit Vali 3 · vs Topping A30 Pro.